ah, phil sawicki's painting from his garbage heart numbers series said this should be in the frame tooso we filmed the night, night at the museum, and this is the night of the museum. she by itself already implies that there will be some small curious moments, but from the point of view. if we talk about seriousness, then of course, but it's scary to be, and at night in the dark, when you realize that right here there is hmm a glare of light reflects photographs. yes, security guards are somewhere there, if we are in the hall m-m, telling the genocide, then m-m, well, the crosses and all these gratings are scary not by chance, because it gave a special aura to the work and you could feel it one hundred percent absolutely right. yes a valeria i as i understand it, only you are in the frame. well cadres i am a group of belarusians. that's frame footage so the elements of the chronicle itself. here it is important for the severme that not only, uh, shots from the great rank, alias frames. their veterans, what an asshole the whole war is , they believe in the square, the meshmat is overgro