now-- philip roth, i think his name was. [laughter] his lawyers can call your lawyers. i could-- i could be wrong. i don't want you guys to get sued. that's right. that's right. statements of guests are theirs and theirs alone. [laughter] you've never been deterred by criticism of your work, and in fact, sometimes you strike back. and probably the most heavily censored work you've done is also the most famous: who's afraid of virginia woolf? yeah, that was a fairly early play, my fifth play, and i ran into a bunch of trouble with that one. after the success of the play in new york-- in english, by the way-- they decided to do it in london. and back in those days, there was an organization in london called the royal chamberlain's office, which was there to look over the script of any play to be done in great britain and censor it on the odd assumption that her majesty might want to go to the theater. [laughter] um...her sister went a lot. and so i went to the lord chamberlain's office, where they had read the play and informed me very quietly-- nice guy with a necktie an