so, i was in a little drama school called the phillip street theatre.ould go on a saturday morning. i would get up at about 6:30am, i would catch a bus and a train and another bus to get into the city. it was the highlight of my week. and jane was in film school. so, she was, erm, really young, and i remember being told, "0h, this woman who's going to be directing a little film, "student film, would like to see you." and it was like, "ah! oh, my gosh!", you know. and that was jane. we're talking a0 years later i still know her. and still deeply close to her, actually. would tell her anything, will confide in her anything and feel unbelievably safe with her. did she become a mentor to you at such a young age? i don't know if jane's a mentor. jane is a very... is an exquisite creature. i think she's a creature, so she's... she's just unusual. she became a guide, she became someone that i would go, "what do you think?", you know, and there were times when we drifted and came back together and drift... i would audition.... i remember auditioning for sweetie

i feel like i've just come out of, you know, the phillip street theatre and i'm like, "oh, wow!ink stuff until i'm in it and then, i'm like, "yikes, what have i done? "i've got to run for the hills." and by then, you're not allowed out. and i'm sort of well—known now for going, "i've got to get out of this! "i'm not going to be able to deliverfor you! "help, help, help!" but it was 17 years, i think, until you were back on stage with photograph 5! — also, in london. why have you not done more theatre, do you think? i'm a mother. and it's very difficult as a mother, ifind, to do the eight shows a week and to not be there at bedtime. that was — that's been a big... when i did photograph 51, it was a big commitment from me to come to london, move my family to london, my husband has a big career. you know, i didn't think it all through and go, "oh, my gosh, you're going to have to sell tickets "on the west end about a play about science with a woman "that no—one's ever heard of and it's..." and i remember when the ticket sales at the beginning, iwas like... and people was a lot of l

ifeel like i'vejust come out of, you know, the phillip street theatre and i'm like oh, wow, this is as, what have i done? i've got to run for the hills. and ljy got to run for the hills. and by then, you're not allowed out. and i'm sort of well—known now for going i've got to get out of this, i'm not going to be able to deliver for you, help, help! it be able to deliver for you, help. help!— be able to deliver for you, help, help! it was 17 years i think until _ help, help! it was 17 years i think until you _ help, help! it was 17 years i think until you were - help, help! it was 17 years i think until you were back. help, help! it was 17 years i | think until you were back on stage with photograph 51 and also, in london. what have you not done more theatre, do you think? i not done more theatre, do you think? ., ., ., ~ �* , think? i am a mother. and it's very difficult. _ think? i am a mother. and it's very difficult, as _ think? i am a mother. and it's very difficult, as a _ think? i am a mother. and it's very difficult, as a mother, i. very difficult, as a mother, i find, to do th