_ yes, yes. , directed by phyllida lloyd, who is a brilliant - yes, yes. , directed by phyllida.iant director, but he was the interesting thing. half the film is about the nightmare of domestic abuse and half is about the dream of building your own home, which is, you know, almost a fairy tale. in that, at one point they refer to it is a fair return home. i think the thing the drama does really well for me is that on the one hand it has got that stuff you get from something like witness, remember the barn building seen in witness, which everyone loves, of course everyone loves watching him being built. and it uses that you tell a much darker story about the plight of a woman who is being failed by the system, who is looking everywhere for help and is not receiving it. ithink everywhere for help and is not receiving it. i think what the drama manages to do is tell that you tell a much darker story about the plight of a woman who is being failed by the system, who is looking everywhere for help and is not receiving it. ithink everywhere for help and is not receiving it. i think wha

and we have herself, which is a new film by phyllida lloyd, which i think you and i have different opinionstart with the collini case. yes, so, german crime thriller, based on a book by ferdinand von schirach, which i confess i have not read although it's apparently a very famous book. the story is a young lawyer is assigned to a case in which he has to defend a man, fabricio collini, played by the great franco niro, who is accused of murder. the case seems fairly hopeless, not least because shortly after the murder fabricio collini presented himself, covered in blood, and now refuses to speak in his own defence. here's a clip. so it then transpires that the lawyer actually knew the victim. in fact the victim was something of a mentor to him, took him under his wing, almost fathered him. the question is why on earth would anybody want to kill this man, who was a respected industrialist and as far as the lawyer knows was very good person. the author of the book, his grandfather was a very high—ranking nazi who was tried at nuremberg. and one of the things the book is about is coming to terms

and, so, it's directed by phyllida lloyd, mamma mia, which was a huge smash hit, iron lady, which ofar—feted. this feels like a smaller project. but here's the interesting thing. half the film is about the nightmare of domestic abuse, and half is about the dream of building your own home, which is, you know, almost a fairytale. in fact, at one point they actually do refer to it as a fairytale home. and i think the thing that the drama does really well for me is that on the one hand it's got that stuff you get from something like witness, remember the barn building scene in witness? which everyone loves, of course everyone loves watching a home being built. and it uses that to tell a much darker story about the plight of a woman who is being failed by the system, who is looking everywhere for help and is not receiving it. and i think that what the drama manages to do is to tell that darker story, that more difficult story, but in a way that looks like it's a heartwarming, uplifting movie. i know you were quite surprised by how tough some of it was. i felt — for me, i felt it was more

so herself, it's a new movie by phyllida lloyd, it stars clare dunne who also co—wrote the script.ho is escaping from domestic abuse and in order to do that she discovers that it is possible to build a house for a fairly small amount of money. so on the one hand it's gritty and touch, on the other hand it's almost fairy tale fantasy — the fantasy of building your own house, but in a realistic way. and i think this is a film that does understand how to manage those different elements and still keep the audience on board, and actually tell a very important story about domestic abuse but tell it in a way that makes an audience want to watch the film, that makes the audience think, oh, i've heard this is a really interesting movie. and i thought it was... i've seen it a couple of times now because at first, a year or so ago, because everything's been delayed for such a long time. it is really well worth seeing and it is in cinemas, and again, it is worth seeing in cinemas because it looks great, it's a really interesting piece. 0k. we're also finally going to talk about a clockwork ora

and we have herself, which is the new film by phyllida lloyd, which i think you and i have differente thriller, based on a book by ferdinand von schirach — which i confess i have not read, although it's apparently a very famous book. story is a young lawyer is assigned to a case in which he has to defend a man, fabricio collini — played by the great franco niro — who is accused of murder. the case seems fairly hopeless, not least because shortly after the murder, fabricio collini presented himself, covered in blood, and now refuses to speak in his own defence. here's a clip. hmm. so it then transpires that the lawyer actually knew the victim. in fact, the victim was something of a mentor to him, took him under his wing, you know, almost fathered him. the question is why on earth would anybody want to kill this man, who was a respected industrialist and, as far as the lawyer knows was somebody who was a very good person? the author of the book, his grandfather was a very high—ranking nazi who was tried at nuremberg and one of the things the book is about is coming to terms with, you k

and we have herself, which is the new film by phyllida lloyd, which i think you and i have differentrently a very famous book. story is a young lawyer is assigned to a case in which he has to defend a man, fabricio collini — played by the great franco niro — who is accused of murder. the case seems fairly hopeless, not least because shortly after the murder, fabricio collini presented himself, covered in blood, and now refuses to speak in his own defence. here's a clip. so it then transpires that the lawyer actually knew the victim. in fact, the victim was something of a mentor to him, took him under his wing, you know, almost fathered him. the question is why on earth would anybody want to kill this man, who was a respected industrialist and, as far as the lawyer, knows was somebody who was a very good person? the author of the book, his grandfather was a very high—ranking nazi who was tried at nuremberg and one of the things the book is about is coming to terms with, you know, the past and the ghosts of your own past and accepting the fact that people who seem like one thing may ac

which is the biopic of aretha franklin, withjennifer hudson, and we have herself, a new film by phyllidatart i with the collini case. yes, based on a book by ferdinand von schirach, which i confess i have not read and it is a very famous book. the story is a young lawyer is assigned to a case in which he has to defend someone, played

and, so, it's directed by phyllida lloyd, mamma mia!e of domestic abuse and half of it is about the dream of building your own home — which is, you know, almost a fairytale. in fact, at one point, they actually do refer to it as a fairytale home. and i think the thing that the drama does really well for me is that on the one hand, it's got that stuff that you get from something like witness — remember the barn building scene in witness? — which — which everyone loves, it's everyone's favourite scene — of course everyone loves watching a home being built! and it uses that to tell a much darker story about the plight of a woman who is being failed by the system, who is looking everywhere for help and is not receiving it. and i think that what the drama manages to do is to tell that darker story, that more difficult story, but in a way that looks like it's a heart—warming, uplifting movie. i know that you were quite surprised by how tough some of it was. i felt — for me, i felt it was more a film about the domestic violence than the house

yes, yes. , directed by phyllida lloyd, who is a brilliant director, but he was the interesting thinge. in that, at one point they refer to it is a fairytale home. i think the thing the drama does really well for me is that on the one hand it's got that stuff you get from something like witness, remember the barn building scene in witness, which everyone loves, of course everyone loves watching a home being built. and it uses that you tell a much darker story about the plight of a woman who is being failed by the system, who is looking everywhere for help and is not receiving it. i think what the drama manages to do is tell that you tell a much darker story about the plight of a woman who is being failed by the system, who is looking everywhere for help and is not receiving it. but ina but in a way that looks as if it is a heartwarming, uplifting movie. i know you were quite surprised by how tough some of it was? i felt... for me i felt it was more a film about the domestic violence than the house building, even though there are some quite joyous scenes with the house—building and the