so he contacted the picasso administration, run by pablo picasso's son, and described by handwrittenhe only place in the world that can certify the artist's work. he wanted his box of art authenticated. >> translator: they answered me by telling me that claude picasso wanted to seep with his own eyes what it was we had. and he gave us an appointment. so we went up to paris, my wife and i, by train with a suitcase. >> full of art work? >> yes. i organized them, properly and folders so it could be presentable. >> how were you greeted by claude? >> he was a bit haughty. >> impolite. >> he is a -- we are little people. >> he did not say hello. >> he looked at me and said, you, you can sit over there. one cannot say weep were welcomed. that's not very polite. considering he is the son of a genius. >> kind of snobbis >> yes. >> yes, snob. >> a man representatives wealth. >> but claude picasso himself, the artist's third child and one of five living heirs remembers the meeting differently. >> i start, asking questions. and so on. they said, they were given these things by my father. later o

to buy him a big leoni a picasso a chateau in switzerland things that go up in value so they're getting a leverage on their debt and the average worker is getting hammered by their debt and this interest rate apartheid is where we see the enormous cleave in american society michel well the workers didn't think of their houses being a wasting asset for fifty years after world war two houses were going up in price and the rising price of housing is what created the middle class in america all have concurrent end and what the stock market managers are by they're really not buying some of the you know he says are up junk are like and if it were holes they're buying their own stock corporate stop by mex what you're seeing now is the stock market becoming part of the d.m.v. realization process instead of being a leading indicator which the national bureau of economic research used to call it is a reverse indicator of the economy this is not markets going up mainly because companies are buying back their own stock and they want their earnings and dividends instead of investing to increase outp

picasso's painting. that's you know you think of that image and when. they were announcing the iraq war in the united nations they had a giant tapestry of going to behind them which is up in the un and. and they decided they couldn't announce the iraq war in front of going to because they had covered it in a blue cloth. argument was a horse and it didn't film very well on a very of one of the perioperative of but obviously so an image like that still got enormous power you know that's an image that is still seen on demonstrations it's an image that was actually shown in a car showroom when it came to britain a car showroom in manchester during the spanish civil war people boots for the people that were going out as punishment or so you think of a painting like that and it's still got enormous power as an antiwar image. deputy editors about the impact of their the london imperial war museum people power fighting for peace exhibition which if you're around london you can go and see until the twenty eighth of august but for those of you watching who are af

it is like a rich person buying a picasso, a signaling effect of power.ar for the past 20 years. is a small desk for qatar for the past -- this is qatar for the past 20 years. it has been known for flashy asset buying. some of that has states in global companies. again, seen as a statement to build qatar's soft power. sometimes it backfired. in this deal we saw the potential of it when lolita -- in spain said this violates financial fair play. this will make the transfer market, which are already high, even more crazy. it has not always been working well for them. tracy: one assumes if it does go through, it means that those rules don't have much teeth at all. asset buyingatar's abroad, do those always pay off? how do we judge the success of those purchases if we are talking about soft power and reputation? reporter: treated not disclose any of its returns -- they did not disclose any of its returns. we saw a year or so ago when glencore shares started plummeting, people were pointing the finger at investment. then it were, so it is very difficult to put

asset goal that is used as there is no it's not of this is an asset you don't peep you can't rip up a picasso and give somebody a piece and destroy the value sure it's absolutely not but in the case of gold though it is use and similar way store value in a currency yes that's right because it has oil but no because it has no value to store now the price has gone up but there's no inherent value there who's to say that bitcoin doesn't go back down to ten bucks or five bucks i mean it could go to ten thousand first sure i think there's no way has scarcity value and you're fine to know that they're being other currencies being created willy nilly i think is not a great point because if i was pointing. other monetary metals know you can trade other mana no matter who says well silver doesn't have the same properties as gold gold is unique in the periodic table and the reason is that it's money now silver so has been used as money to our side of this it has some properties of people desire of monetary but the big queen does not yes because you can you can you can exchange it but there is no value

charlie: but his work different for you than for picasso? then for anyone who does what they do? actors,au: actresses, in general, they are very modest. charlie: very modest? [laughter] you think? ms. moreau: yes. big egos, but very modest. charlie: explain that to me. big egos and modesty. i don't get it. ms. moreau: humility and pride. pride andgo is the modesty is the humility. ms. moreau: when you talk about is disgusting. ego. but it is beautiful. you have to have it just to face the world. and you have to have belief in yourself. life, you're going to portray people that are born in the mind of somebody else. charlie: and you go give life to it on cinema. ms. moreau: yeah. you have to do something crazy somewhere. that's what actors and artists are about. we are not just acting. we feed ourselves through everything that happens around us. to feed herself with everything. charlie: you take from everywhere. ms. moreau: we don't take. we are given. charlie: you receive. you look at art and it influences you. you have conversations, you se

if picasso thought stuffy thought was terrible, is it the duty to preserve it because of who he is?rtist any more. when it is no longer in your studio, if you are a painter, or once you publish a book you let go of it. you've given it over to readers and they will make what they want a vet. that was yours and the writing will become hopefully theirs. nicole krauss, thank you. as you might have noticed, it's 20 years ago today since princess diana died. the 31st august, 1997, was a sunday, but in the following week, it was the only story that we, newsnight, ran. as the nation remembers those events of two decades ago, we thought we'd leave you with how we covered the shocking news of her death. goodnight. good evening, in this special programme we will be paying tribute to diana, princess of wales. remembering some of the events of an often troubled life, talking about the contribution she made through her public work, and about the extraordinary excitement her very presence aroused, not just here, but right around the world. i'm amazed that she's been brave enough to take me on! and

don't think we're just idle. ( laughter ) >> rose: but is work different for you than it was for picassoe who does what they do well? >> usually actors and actresses and artists in general are very modest and we say -- >> rose: very modest? yes. >> rose: you think? big egos but very modest. ( laughter ) >> rose: explain that to me. that goes together. >> rose: big egos. and modesty. >> rose: i don't get it. huhue mill -- humility and pride. >> rose: ego is the pride and modesty is the humilitiy. >> when you say ego, the word sounds disgusting. ego the beautiful. you have to have a little just to face the world. it's difficult to live. and you have to have belief in yourself, otherwise you wouldn't be as crazy as to decide that all your life you are going to portray people that were born in the mind of somebody else. >> rose: and you forgot to go and give -- and you've got to go give life to it in the si cinem. >> yes, you have to be crazy somewhere, but that's what actors and artists are about. we're not just acting. we feed ourselves from everything that happens around us. we feed ourse

. >> this man -- you can't get this -- this is picasso right here. [ laughter and applause ] >> the devil >> that's one. what? that's one. that's -- >> "devil in a blue dress." >> you got that part, right? now, you gotta get this part. >> which part? >> let me do it again. all right, come from over here. ready? [ buzzer ] >> you didn't give me no drum roll! you didn't even give me a drum roll! [ light laughter ] >> jimmy: not everyone gets a a drum roll! >> hey, man! last time i checked, you black too! [ laughter and applause ] >> jimmy: oh, come on! >> don't be a -- [ laughter and applause ] if it's a deviled egg -- look, i know -- i know what food we don't, man, but come on! [ laughter and applause ] we've been to white barbeque, the like deviled eggs, man! >> jimmy: white barbeques, oh, my god. deviled egg, i didn't know -- it looked like a dragonfly, that last one. all right, brie, you're up. >> oh, i'm up? >> jimmy: yeah. >> oh, the pressure's on. you guys were really good. [ laughter ] oh, wait, i gotta pick something. >> jimmy: here, oh, yeah, yeah, yeah. >> what's my number, ya'll

pablo picasso once said computers are useless, and machines are great at doing that but more importantot only will values continue to be important. and those more powerful tools, we have more power to change the world than we ever had before. that means what we decide to do is more important than ever before, doesn't matter what you do, now we can do amazing things, we can cook planets, blow, create vast prosperity. we have to think hard about our values, do we want shared prosperity? or leave them behind those choices? the values question is essential. and something we need to focus on. >> one more question. i have a question about neural networks. don't know how much you have spoken about. can you talk a little about them and how they relate to machine learning exactly? >> most of the impressive developments have a really elaborate huge neural network. >> and the neurons connect, and 1 billion connections and hard to know what is going on in the black box but they are immensely powerful as i said earlier getting input to a set of output sliding to any arbitrary function and in the pa

i'm tacking my picasso skills to the test on this tech bike right here.s can be along for the ride. join in on twitter, fox 29 goodday, what am i drawing? we'll tell you coming up next. dude, you were right, these wait...what? the gold fish, man! you said i should buy some. no! i said you should buy gold fish, the new scratch-off from the pennsylvania lottery... with top prizes of $25,000. ooohh.... are there really...? 25,000 of them? yeah. want more changes to win? go to palottery.com and enter your non-winning tickets for the gold fish second-chance drawing with $10,000 prizes. tim & charlie, 4th graders. lazy 3rd graders. they even have those new easy open gogurt tubes. we used to struggle 20 minutes to open our gogurts. we were on our own. and when we finally got those things open, we'd be overcome with the sense of accomplishment no 3rd grader today will ever know. hi guys. get a job. you believe this guy? new ez open gogurt. kids never had it so easy. >> looks nice now, but pop ups later today, apparently a name, the new gps app for cyclers and run

. >> no doubt he was inspired by great artists like picasso, but everything that he created was totallyon enough, the emerging artist is receiving high-profile commissions. by the early '80s, his murals are on display throughout california in napa, monterey, benicia and beyond. >> he always would make six paintings at once. >> incredibly, granizo never uses a sketch while painting his tiles or a blueprint when putting together his murals, many comprised of hundreds upon hundreds of tiles. >> and that, to me, is really one of the miracles of his artwork, the fact that he could conceive of what that whole was going to look like in his head. >> it's enough to make my head spin. >> we're going to try to assemble a pile of tiles that we really don't know if it was a painting, a portrait. want to help? >> i do want to help. well, that looks like a shoulder. oh, the sun is shining, or it's an egg. can't tell. okay. don't help. >> okay. >> no, your head doesn't go on your elbow. are you sure these go together? >> it's always a mystery. >> could this be upside down? the man has no head. >> we ne

he says it is sort of like a rich person buying a picasso, it is a cyclical effect.s most expensive football player and it says something to the international community and their desire to play on the world stage and their ability to do so. it has massive amounts of wealth that it can use to participate in the world's sport. tom: you and i have one great common, research as a fabulous time to look up at what analysts are doing. what are you seeing in research right now? tracy: today it has to be david wu at bank of america at merrick -- merrill lynch. he is telling investors to seek the japanese yen as a safe haven coming up ahead of a risk off september and this is the big question weighing on investors' minds. one of the upcoming flashpoints for the global market? david will and his colleagues figured trump and his -- could be set for a showdown on two confrontation -- with north korea -- that would be a risk off event. we have david will saying -- david wu saying you should buy yen to prep for that. francine: still with us in sharma -- kamal sh arma. when you look

descontrola ♪como lo hace el aguardiente ♪ ♪tÚ tienes un cuerpazo♪ ♪una obra de arte de las que pintÓ picasso

to make another loan at zero percent interest rate to buy another yacht then or a medieval yani or picasso that goes up again in price which gives you more collateral value so this is the ponzi scheme of ponzi schemes central bank and mabel and we've been talking about it for years for all of this the financial times probably because they're now owned by the nikkei people in japan they're willing to tell the truth now the japanese can accept the false hoods that were being published under the previous management url so you have to perform ceremonial sucka . oh oh oh oh well this reminds me of another thing that we have covered and that's the red queen syndrome we see in fracking this is the same thing they're fracking the wealth of the nation and it costs more in war debt creation in order to keep the bubble afloat. of course it also reminds me of the cia sort of reports on. how you should look at the economy and the world around you that trust their propaganda not anybody else's propaganda or take on the story so remember in that cia report. you know the twenty six to twenty sixteen elect

one value is not predicated or dependent on whether or not they are the next picasso or wall street banker. it is important to hold both of those at once. i have been interested in decision theory, i see a lot of what you are saying has a lot of implications for a very broad discussion. to your comment about behavioral sciences and technology as a means of addressing some of the issues you have raised. i have been attending a series on the drawbacks of the uses of technology in identifying , as well as following the replication crises that were00 studies used for replication purposes. i was wondering whether you would have some caution about the uses of findings and behavioral sciences, because there is a broader problem of the statistics that are used towards these findings. i am worried because, even in the neurosciences, the findings are very sketchy and many findings are false actually. i just wanted to know, what exactly you are driving there ? >> you are talking more about predicting behavior of individual defendants using technology. that is not something i have thought about a grea

valued, and that one value is not predicated or dependent upon whether or not they would be the next picasso, or whether or not they would have been a great wall street banker. i just wanted to lend support to that argument. hello, i have been interested in decision theory, and i see a lot of what you are saying has a lot of implications for a very broad discussion. to your comment about behavioral sciences and technology as a means of addressing some of the issues you have raised. i have been attending a series on some of the drawbacks of the uses of technology in identifying culpability and so forth, as well as following the replication crises of those 100 used forhat were replication purposes. i am wondering, whether you would not have some caution about the uses of findings and behavioral sciences, because there is a broader problem of these statistics that are used, the measurements used to word these findings. i think that, i am a little bit worried, because even in your sciences, the finding is that they are very sketchy and many findings are false, actually. wanted to know what exact

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