, tolstoy, pushkin, tchaikovsky, chekhovo, i don’t know, well, i don’t know, anna pavlova, maya plesetskaya then vice versa, as on the other side the opposite one will strike, through their so-called agents of influence, there, as we call them, in agents, and simply agents, they kept throwing up these thoughts that we love, remember how fascist nazi germany, yes, scattered leaflets, russian ivan, at first they scattered leaflets russian ivan, give up, you have no choice, give up, when russian ivan did not give up, and by russian ivan we mean both belarusian ivan and ivan all. nationalities , when it didn’t work, the next one, you know what the leaflet was: russian ivan, we love you, germany will take care of you, your bosses hate you, and we were created to make your life worthy of a classic story, but in modern times it exactly the same, they all time they said that they don’t like our bosses, our leaders, our... i don’t know what they would specifically call part of the leadership and so on, but they adore the country, they love russian culture, russian music so much, russian art , you ru

she was compared to audrey hebber and maya plesetskaya. ballerina did not leave choreography classes and became a tutor. lyudmila borzhavskaya gave the theater almost 60 years. the performance accumulates this energy and these emotions, it seems to me that it is still a huge success and a huge success only because every person dancing, gives himself completely. the time and place of forgiveness with people's artist of belarus lyudmila borzhazovskaya is being specified. without environmental safety, development is impossible, this opinion was expressed today by kachanova at an off-site meeting of the council for interaction of local government bodies under the council of the republic in brest. the topic of the meeting was joint work carried out by environmental organizations, local government and self-government bodies, as well as other government agencies on the effective use of natural resources protection. participants visited one of the largest food production enterprises not only in belarus, but also in europe. here, last year , the co

kind of pr companies of dostoevsky, chekhov, i don’t know, well, i don’t know, anna pavlova, my plesetskayaof a second, and then vice versa, as if on the other side it will be covered by the opposite wave, it’s just that i think that it’s not that you need to look for something right and good in everything, i’m not an advocate of this, but here in this particular case, probably the very moment that... there would be no happiness, but misfortune helped, in what way did it help, it simply helped us stop explaining all the paradoxical nature of ideology... now that’s it, now, you understand, these are these regimes and those who stand behind them, they exposed themselves, they don’t want to see us free, that they constantly told us, they don’t want to see us prosperous, which they also endlessly told us about, not only did they tell us directly, they also through their so -called agents of influence, there, as we call them, and inagents and simply agents, they all the time these thoughts kept telling me that we love you. remember how fascist nazi germany scattered leaflets russian ivan, at fir

that both are important, and both are interesting when you have a lot, that’s how they said, yes plesetskayaew facets, new horizons, new images, because our profession... and why is it valuable, and like the profession of a film actor, that you can live many different images in your life, and even not just to live, but very interesting for me, at least, the process of precisely finding this image, what kind of person, what kind of behavior, what kind of posture he should have, how he should walk, how he should look, this is it that’s it, well, i have to figure this out, it’s interesting to delve into this, maybe not for some, for others it’s interesting to stand up and pretend to be yourself, i liked the way you work with ivana karenina , it’s also like some kind of found image, it seems to me that there’s a goal, i actually have three three there. roles, that is, me and karenin , and vronsky, and steve, and i saw steve, yes, everyone is interested in what is there, that is, there is no role that you like, there is a macho manly, so, no, well, everyone likes that , well, where would any man

that both are important, and both are interesting , when you are a lot, that’s how they said, yes, plesetskaya facets, new horizons, but new images, because our profession, why is it valuable, and like the profession of a film actor, what are you during your life you can live many different images, and not even just live, but what is very interesting for me, at least, is the process of exactly finding this image, what kind of person is like, what kind of behavior, what kind of poses he should have, how he he should walk, how he should look, that’s all, well , i have to figure this out, it’s interesting to delve into this, maybe for some it’s not, for some it’s interesting. this is not, well, everyone likes it, well, what kind of man wouldn’t like the match so that. with whom you can contact those masters yes, there are grapes, komlev, ruzimats , with whom you also communicate, this is right here , i realized that this is what i was missing, i really need such trips, you look at what they dance, how they dance, their modern performances, because there, everyone had , in my opinion, six, six or

i understood that i couldn’t copy maya mikhailovna plesetskaya, we were completely different.ory, and this is already a new era in art, no romance, but only symbols, sketches, metaphors. ralan five staged notre dame cathedral in paris in the era of heapy and bettles; his esmeralda has a completely different plasticity. i never thought that being a ballerina, i would perform on the mkhat stage, on the dramatic stage. and what is it like to love a genius, no one has ever looked at yesenin’s work under such corner, this evening simply could not do without the main hit of today's moscow art theater, the performance of yesenin's woman. about a poet who paid for his talent with his fate, sought love and ran away from it, escaped loneliness and longed for solitude. they say that, for example, to write a melody, you need to look for material for yourself in painting, but i draw from writing, from dancing, from music, of course, which very often helps to tune in to the role, a happy couple, as a symbol of eternal love for... . stage viewer to the theater ended the concert congratulatio

ballet, it is not associated with a language barrier and it is understandable everywhere, very plesetskayasonant with you, your understanding of beauty, reading the memoirs of all our greatest writers, even composers who were forced to leave their homeland because of the revolution, and you understand how much they they were homesick, how they wanted to return to russia and so on, you understand this thing, but on the other hand, i was - in the nineties, katya, very funny, once again i was, there was an opportunity to leave, change my life, and practically i was 90 % had already left, i was once again pestered at the big theater so much that i decided to accept, and i came here , to visit a very wealthy family in germany, and this is such a very comfortable suburb, of a very big city, a very comfortable life, and it just so happened that i had already been there for a week, and you came already to negotiate to work there , yes, yes, i realized that i don’t want to live like this, at some point, wait, what do you mean, so, so comfortable, or what? yes, it's so boring, i can't get enough. it