at the time of the turkish-serbian company in which polenov participated, polenov volunteered for theiced is that he didn’t describe a lot of yes, terrible things that he saw, but he didn’t reflect it in any way, how could it be, he couldn’t go through something, we have , well, first of all, i remind you once again that he worked as a military correspondent, well, as we would say now, yes, he worked as a special correspondent for the illustrated magazine bee, with his samovar, here i have it, and it’s not just a samovar , this is historical the samovar, in general, so to speak, accompanies several generations of the polenov family, it is believed that this is the... samovar, it is generally unique, it is called a spider, we restored it a little, it was cleaned, so to speak, these wooden parts are already so modern , and it is cleaned, but it is generally a unique samovar, they say, they say that it just accompanied vasily dmitrievich polenov during his balkan campaign, that is, it was, well, like a thermos, but in general it is believed that it accompanied vasily dmikovich polinova d

, director of the polenov reserve museum.can’t even imagine how we can fit all this vastness into such a small amount of time that we have allotted today in our podcast. this is where it all began. my favorite story. he then returned there again all the time and kept an eye on this particular place called bekhovo, this bekhovo, it absolutely captivated vasily dmitrievich. for what reasons? well, it seems to me that there is a combination of reasons here, firstly, first of all, polenov didn’t really want to live in moscow from the very beginning, he grew up, as you probably know, in karelia, near petrozavodsk, from a very early age. as a child , he was attracted to nature, he was attracted to coniferous forests, and he really really loved these pine trees, coniferous forests, and he really wanted to live somewhere away from the big city, but to his main idea of ​​enlightenment in the russian province, he came much later, having already settled in polenovo, initially he just wanted to be in nature, and of course, a big role in

, as if at the time of the turkish-serbian company in which polenov participated, polenov volunteered front. this is already in the russian-turkish company in the russian-turkish company, when, as it were , the turkish-serbian one had already passed into the russian-turkish one, and there, again, we spoke with you at the same headquarters there was grand duke alexander alexandrovich, who later became alexander ii, their good relationship may have played some role later in purchase, but they knew each other since childhood, because vera nikolaevna vaeikova is the widow of alexei vasilyevich vaeikova and the grandmother, grandmother of the polenov children. she had a certain status as the widow of a hero of the war of the year 12 and in general, so to speak, a grand lady, as i said, that’s why it allowed her and her grandchildren to relax in tsarskoye selo in the summer, and the polenov children played on the same playground, also with the imperial family , so there are also memories of this and polenov himself remembers this and remembers his son also talks about this, so they had cont

, director of the museum of the polenov reserve, and today we will talk about this wonderful place, is all unfathomable. we can fit in such a small quantity time that we have allotted today in our podcast, this is how it all began, my favorite story, natasha, you know how... vasily polenov and his friend student konstantin korovin rode a boat on the oka, being in a cheerful, cheerful, in a witty mood and sailed past the hill, and polenov liked the hill so much that he said that he would like to set up an estate here and live, so to speak, in old age, admire the surroundings, initially, that’s the most important thing, which, in fact, vasil dmikovich invested in this whole grandiose construction project, in addition... to build a house for convenient, comfortable housing, a large family in a beautiful place, the idea of ​​​​enlightenment was laid down, there is a museum itself, then a theater and schools were organized, please tell us about that these are his ideas besides the museum, but everything is true, indeed vasily dmikovich polenov did not choose this place by chance, and he ev

with their large retrospective of polenov. 76 works by vasily dmitrievvich polenov came to samara from from twelve museums there are things from tretyakov gallery, and the rest are regional museums, that is, omsk, yekaterinburg, vladivostok. moreover, i ’ll tell you, not just magnificent collections, from irkutsk for the first time, well, in almost 100 years, that is, in 1928, the irkutsk art gallery received a huge painting of christ and the sinner, well, a slightly smaller copy, but by and large in in general there she is more than two meters, one and a half by two and more meters, christ igresh. she entered in 1928 in 2024 for the first time she left the walls of the irkutsk museum in order to go to samara for exhibition man of light for the 180th anniversary of vasily dmitrievich polinov, here is a wonderful catalog published by samarets, in general, i congratulate them on this unique project, this is just an irkutsk thing, well, which, in general , completely repeats the imperial thing, i congratulate them on this wonderful project , this is how we open polenov’s year. in the summ

with their large retrospective of polenov, 76 works by vasily dmitrovich polenov came to samara fromeak, from twelve museums there are things from the tretyakov gallery, the rest are regional museums, that is, this is omsk, ekaterinburg, vladivostok, there are very good collections there, we are giving them. from irkutsk for the first time, well , in almost 100 years, that is, in 1928 , the irkutsk art gallery received a huge painting of christ and the sinner, well , a slightly smaller copy, but by and large, in general, there it is more than two meters of floor by more than two meters christ and the sinner, she entered in... 928 in 2024 for the first time she left the walls of the irkutsk museum in order to go to samara for the exhibition “man of light” for the 180th anniversary of vasily dmitrievich polenov. here is a wonderful catalog from a distance samara, in general, i congratulate them on this unique project, this is exactly the irkutsk thing, well, which, in general, completely repeats the imperial thing, i congratulate them on this wonderful project, this is how we open pole

well , it seems to me that there is a combination of reasons: firstly, first of all, polenov did not, near petrozavodsk, from early childhood, he was attracted to nature, he was attracted to the coniferous forest, and he really really loved... these very pine trees, coniferous forests, and he really wanted to live somewhere far from the big city, but to his main idea of ​​​​enlightenment in the russian province , he came much later, having already settled in polenovo, initially he just wanted to be in nature, and of course tarusa played a big role in the fact that vasily dmitovich settled in these places, because ivan’s family had already settled in tarusa. he was captivated, he told his wife about how good it was there, and his wife natalya vasilyevna also writes in letters that is it really possible that the dream of staying in byokhovo, settling in byokhovo, living in byokhovo will come true with us, with them already ... the idea was their house, their workshop, natalia vasilievna’s small office, that is , this whole dream, they had it somehow formed, all that was left was to buy

moscow works of polenov, landscape and gospel courtyard, as well as other works of the master, a cycleonal museums from the far east to the center. this is a small chamber exhibition, and i want to say that it goes very well with the personality of vasily dmitrievich polenov, who... did not rise to the podium, did not address the broad masses, but just like that to say, he honestly performed his work as a landscape painter, artist, musician, architect, teacher, mentor for a whole galaxy of wonderful artists of the next generation. the twenty-third moscow easter festival continues at the tyumen philharmonic with a performance by the marinsky theater symphony orchestra conducted by valery gergiev. at the comedian's shelter theater, akapela musical evgenya. zagoda on libretto and poems by konstantin rubinsky icefil, premiere production by alexei frandetti. at the national theater belgrade in the fiftieth once again shows tanya mandichriganat's play based on the play by anton pavlovich chekhov ivanov. and in the slovak national theater there is a play by marian amsler, ulvan nikolaevich to

on july 15 , 1874, ilya repin, who was in france, wrote a letter to vasily polenov in italy. hurry here. buy yourself a suit, black. on shoulders. and pants together, and so that he doesn’t dye the dress, it’s not accepted here as in italy, attention, the question is, what was then accepted in italy and not accepted in france, swimming, a bathing suit is just not accepted, that is, on the shoulders, that we are together, this like diving, that is, completely, which does not pay anything on top of the suit, which means you wear a dress or underneath the suit. it is customary to swim in fairly open clothes, in italy this was already possible, no, the suit was intended for swimming. what does it mean in insufficiently revealing clothes, let’s be more precise about what happened, let’s so what was customary in italy? in italy, you could swim in the sea in an open swimming suit, that is, in shorts, well, for example, just shorts and swimming trunks. but in france this was not the custom, for this you needed a special suit and what it looked like, well , that’s what we were told, b

of particular interest. a collection of paintings, these are works by famous artists shishkin, polenovv, pen, tsverko, maslennikov. april 7 , 1947 in the small village of vitebsk region, the belarusian graphic artist, teacher, honored artist of the republic of belarus, valery slauk, was born. as a child, my mother, who worked at the school, brought the future classics of book graphics. from the library books with bright illustrations, which the boy looked at with great interest. the first attempts at drawing were sketches of tattoos during slauk’s service in stroybat. his teacher at the theater and art institute was the famous master of graphics, vasily sharongovich. now books with illustrations by valery slauk republished in foreign languages, and his graphic works. critics call them the highest examples of modern art. the artist’s works are stored in the national art museum, the funds of the belarusian union of artists, in private collections, museums in austria, italy, germany; one of the main themes in the work of the winner of the francis skorina medal, valery slauk, was belarusia

in the main hall there are paintings by aivazovsky, bryulov, kromskov, polenov, vereshchagin, pirov,, sirov, the poet of russian nature isaac levitan, yes, well, just listing these names will make connoisseurs and connoisseurs of art feel dizzy . now many museums throughout the country have such multimedia guides. thanks to the national culture project , 75 new guidebooks appear annually, by 2024 in a year there will be more than 400 of them. yaroslavskaya understands that an ordinary person, like the state philharmonic and i, of course, you, doesn’t go to philharmonic societies every day, and most likely doesn’t go to them at all, well, it’s time to start, comrades. in addition, the yaroslavl philharmonic is already in its seventh season since the virtual hall appeared. we started this with enthusiasm, but not without some caution, of course. the audience of our concert hall, naturally, is people with established traditions in the style.

is, like you recently i found out, but you don’t know anything, she almost immediately left me for polenovare you saying, come on, come on, come on, good, good, stop, firewood, unloading firewood, so, let’s get together, help, help, carefully, hello, hello, gula, it's you, i'm a granny. have some soup, meet me, this is my old friend, ivan pavlych, very nice, good afternoon, we have plates there, palych, take a drink, forgive me, please, okay, gula, i didn’t want to upset you, but we ran out of potatoes, so, well, we now we’re feeding the whole block, oh, i completely forgot that a friend should come to see me, where, where are you going, i’ll... accompany you, i’ll find everything, i’ll open it, elizaveta sergeevna, goodbye, goodbye, come in , he’s so shy, why , no, i don’t mind, i don’t have to eat at all, we’ll get potatoes, i can get a fur coat, who needs your fur coat, in winter i had to sell it, i felt sorry for it, it’s a memory, an answer, i feel sorry for my own, but i bet there is no one else’s, at our expense. it’s good to be, but the fact that i’m tired is a little bit from hung

these are works by famous artists shishkin, polenov, perov, pen, tsverko, maslennikov. 1947, in a small village in the vitebsk region , the belarusian graphic artist, teacher, honored artist of the republic of belarus, valery slauk, was born. as a child, the future classics of book graphics were brought from the library by my mother, who worked at the school. books with bright illustrations, which the boy looked at with great interest. the first attempts at drawing were sketches of tattoos during slauk’s service in stroybat. his teacher at the theater and art institute was the famous graphic artist vasily sharongovich. nowadays, books with illustrations by valery slauk are republished in foreign languages, and his graphic works, art critics ... are called the highest examples of modern art, the artist’s works are stored in the national art museum, in the funds of the belarusian union of artists, collections, museums in austria, italy, germany, one of the main themes in the work of the winner of the francis skarina medal, valery slauk, was belarusian slavic mythology. th

he provided them with orders, he took polenov and repin with him to the norman plein air.s friendship with turgenev, created all this. the atmosphere around him is very lively, full of creativity and friendship. when bogolyubov died, and this happened in paris, his funeral service was held in the alexander nevsky church, and members of the imperial family, artists, scientists and writers were present there. at his coffin stood a karau, an honorary one, because he not only had russian awards and orders, but also the horde. legion of honor, and according to his will, he was buried in st. petersburg on his native land next to his wife and son, and here, when his funeral service was being held, repin said that the worst of russian art, namely russian art, were dying, because bogolyubov was not only a european-recognized artist , he , first of all, remained until the end of his days as a russian artist, who really did for russian cultural life, for its development, for... there are a lot of russian artists and art. the creativity of the god-loving can be called modern, like...

chamber exhibition, and i want to say that it goes very well with the personality of vasily dmitrievich polenovhe podium, did not appeal to the broad masses, but simply, so to speak, honestly performed his work, a landscape painter , artist, musician, architect, teacher, mentor for the whole a galaxy of wonderful artists of the next generation. the yerevan russian drama theater named after stanislavsky is showing karen narsisyan's play based on the play by luigi berandella, people, animals, circumstances on the stage of the pskov drama theater as part of the big tour project. the music of rachmaninny and rispighi will be performed in the large hall of the st. petersburg philharmonic, performed by sergei davidchenko and the russian national orchestra conducted by alexander rudin. the piano festival opens its spring program with a concert by the winner of international competitions of the colombian pianist daniel diaz in the space of the levoshovsky bakery in st. petersburg. the nizhny novgorod gorky drama theater is showing vadim dantseger's play, the third truth or the story of a crime, on the