the foundation of the palace was laid on september 9, 1784 by the hand of king stanislav august ponitovskyk about 10 years. the appearance of the building combines early classicism and outgoing baroque. in the central part there is an oval hall, which forms a semicircular arch on the main facade of the palace. with a balcony. the palace facade is richly decorated with daric columns and half-columns. five porches run down to the river from a high plinth. and no one guesses that the moor, thanks to an ingenious drainage system, was built directly above the springs gushing out of the ground. many famous people lived and visited this palace. the grandson of mateusz butrymovich, artist and musician napoleon, worked here after returning from emigration. jozef kraszewski, an incredibly prolific novelist, ethnographer, author of 600 volumes of works, including 223 hangings and a novel, often visited here. the last owner of the palace was the writer constance skirmuth, then the curia of bishop casimir bukraba was located here. decline that has known desolation pinsky mur was restored in 2008. today

the foundation of this architectural monument was laid by the last polish king stanislav august ponitovskyhe monarch had already was not in town. the polish writer, jozef kraszewski, once joked with... saying that this building stands like a dandy in the village, today you can more often hear another definition of the building, this palace is called the pearl of polesie. built a city building judge, financier, politician and grandfather of the famous artist, musician and composer napoleon ordet. this is the first secular residential stone building from the late 16th century. butrimovich palace. synthesis of baroque classicism - the author's decision of the vilna architect schildgaus. three glorious families, butrimovichi, hordes, skirmunts, took turns in possession of this majestic property.

1784, with the participation of the king of the polish-lithuanian commonwealth stanislav august-ponitovsky was founded on the eastern outskirts of pinsk. which absorbed the features of baroque classicism. it went down in the history of the city as pinsky mur. three glorious poles families, the butrimovichs, the hordes and the skirmunts , alternately owned this palace. in the past, the palace was the main repository of the creative heritage of napoleon orda. this is a beautiful building with antique porticoes on the side wings and a rizolit protruding in the center first stone civil building of pinsk. the palace belonged. mateus butrimovich, older than pinsky, a deputy of the lithuanian tribunal, through whose efforts pinsk became a port of international importance with two exits to the baltic sea, along the aginsky and royal canals. the first stone of the palace was laid on september 9, 1784 by the hand of king stanisław august-ponitowski. construction took about 10 years, and the appearance of the building was combined. early classicism and outgoing boroko. in the central part there is an

ponitovsky and vladislav iv. vase.t that during the latter’s visit the entire population of ruzhany was evicted, all just to accommodate servants in their houses. venerable. behind the walls of which these ruins remain, issues of national importance were resolved. well, yes, ruzhany castle was in no way inferior to the palaces of the kings of the grand duchy of lithuania. some historians confirm that plans were made more than once in the ruzhany palace. to seize power in moscow, because during troubled times for russia, the chancellor of the grand duchy of lithuania supported dmitry, who later called himself the russian tsar. and in addition to the theater of military operations, according to the precise, although not always successful, direction of sapieha, the activity of the courtier theater flourished in the palace a little later. he was here, in the right wing, he accompanied, among other things, visits of high-ranking guests, and was considered the best in europe. and , by the way, he was noticed more than once a

productions, by the way, his majesty the king of the polish-lithuanian commonwealth, stanislov, august, ponitovskyoticed more than once. in the temple of ruzhany melpomene three times. play the scenery was completely updated, all thanks to seven backstage plans. the spectator hall consisted of two tiers. the first one has 14 separate lies, the second one has one more. magdalena ogneshka, the wife of alexander sapega, passionately loved the idle life. balls, performances, theater, her husband in love could not refuse her modest desire to have a small court corpse in the castle. 60 actors and 40 musicians played in it, by the way, the current national academic theater of belarus still cannot afford such a number, oh, these women, if in one part of the military corps was a theater with performances in french, italian and polish, the second was set aside for a manesh on which stately arabian horses rode highlanders, and this was the work of the descendant of lvasapega alexander, under his own leadership in the second half of the 16th century. an art gallery is being built in the symmetrical theater bu

position of her fellow believers, catherine the great achieved the election of her protege, stanislav ponitovskyia, took part in three sections of the polish-lithuanian commonwealth. the result of these divisions was the annexation of western ukrainian, western belarusian, part of polish lands, as well as lithuania and courland to russia. thanks to catherine's decision, the borders of the empire. often poorer, the reason for this was also wars, eternal disputes over land between the gentry and the rebellious spirit that reigned here, it persisted even after the polish lands became part of... russian empire. the poles' memory of their own statehood and the desire for independence more than once led to uprisings against the russian authorities. gregory already had the court rank of chamberlain and the rank of major general, but the court was disgusted with his intrigues. his feelings for catherine had not cooled, but now he did not give himself the will to show them openly. what good is it if the empress expects from him not romantic confessions, but a job well done. this is exactly the kind of th