retired lieutenant darren porcher. welcome. >> thank you for having me. >> give me the sense of what you saw go on in the video and can you draw any conclusions? >> from what i see the video hasn't been fully assessed in terms of its authenticityity. authenticity. it is troubling. this individual in no way shay ship or form proved himself to be a threat in terms of the public or officers in which they need to take a shot. >> how similar to this? >> in my years working in the nypd i was always trained to maintain a zone of safety, maintained that zone of safety and try to talk to this individual as much as possible. >> keep your distance. what about using deadly force? >> as a last resort. as a last resort. i believe initially a taser was used however it was unsuccessful. however once again we want to maintain a zone of safety. if you look here, the individuals chased this individual and shot him. >> you got anumber of police officers on the scene. >> right. >> what about communication between each other? >> communicati

the oval frame porcher from the back of the "hampton eagle" which would bear the scales of justice and ribbon. he didn't stop there. military banners, upon burgess of -- libertas all aim upwards. we might keep 2 points in mind and considering the seemingly heavy-handed engraving. norman's use of allegory was a universal language. you didn't have to be an upper-class man with a proper education to understand the figure of fame, the liberty cap the rattlesnake or the implication of a laurel wreath military paraphernalia or eagle. secondly, this print was advertised and describes were in 1795, door washington's conflicted second term in office. internal struggles such as the whiskey rebellion, along with controversial foreign entanglements resulting in jay's treaty. the president was officially as the assaulted in the practice was viciously assaulted in the press by enemies. in the middle of this difficult moment, he has introduced the radiating light and cloud of imagery, presenting washington as nearly godlike. within this context, the profusion of accessible patriotic symbolism doesn't

the oval frame porcher from the -- portrait from the back of the "hampton eagle" which would bear the scales of justice and a ribbon. he didn't stop there. military banners, the palm branches of liberty, the liberty cap on a sword, the word libertas on a sword all towards a circling sun. we might keep 2 points in mind and considering the seemingly heavy-handed engraving. the use of symbol and allegory was a universal language. you didn't have to be an upper-class man with a classical education to understand the figure of fame, the liberty cap, the rattlesnake or the implication of a laurel wreath military paraphernalia or eagle. secondly, this print was advertised and subscriptions were solicited in 1795 during washington's conflicted second term in office. internal struggles such as the whiskey rebellion, along with controversial foreign entanglements resulting in jay's treaty, created contentious debate. the president himself was viciously assaulted in the public press by political enemies. in the middle of this difficult moment, with scurrilous attacks on the general's character he

building was done in his administration, dissent from this, which is the origins of most political porchern -- portraiture, which is the lansdowne portrait of george washington which is our signature image in the hall of presidents. the only people who get in automatically to the portrait gallery are the peasants -- are the presidents. other people have to be voted in . and this picture, what is happening here is gilbert stuart is combining george washington create the office of the president. again, the sense in which the fraught history of the early republic, the revolution, all the rest of it are solidified in the person of washington, the inevitable, the essential man won the revolution, becomes the unanimous choice for president. and stewart creates this model of national unity in the figure of washington. so you have a whole series of symbols, again, there is this fictive space. washington did not have an open-air office in new york. this elaborate pillar. the winds of change are blowing. it does not take an art historian to see with the rainbow means. ronald reagan got his morning i