as a press very boss prevervationist, that people would be working on it. so it gave me a total sense of comfort but i was called one day to a meeting, and it we went to judson's office and i was accompanied by martin gerou, and i had met martin at the meetings and i had no idea he was the producer, hollywood producer, of break fast at tiffanies. and so the three of us were over at uson's office and he brought us across the street and walked through this eerie, dusty, terrible building, to the back elevator, freight elevator and went up to six. they had an elevator in the front but just went to two floors. so, when we walked up into that empty space, and walked across the floor, it was a profound experience. it's one you'll never forget. and i looked out the window, and i've never held a gun in my hand, and i looked down and i thought, this is so close. i think i could do it from here. and that's a misnomer generally by the general public this is a great open space. it really is not. so, realizing what we had ahead of us and how important this was, i litera