situation, and another interesting situation was in the city of marseille, i was invited to conduct prince igorthis is an opera based on the chronicle of igor's tag and it was written by aleksandrovich borodin, but unfortunately... i was able to finish, and the problem always arises in the theater when the production is going on, the finale, i have conducted several versions of the finale in my time, so in marseille we could not find a good finale, and can you imagine, one day i fell asleep, i woke up and i had a dream about finishing this production, i 've never had anything like that again, do you always carry a baton with you, you know, no, i came with a pencil, why? i explained that firstly, i use it when preparing some of my projects, but besides, i conduct during rehearsals not with a baton, but with a pencil, why? this is because while conducting i don't want to stop the orchestra if i have some thoughts that i absolutely have to to record on the score, here i am conducting, the orchestra is playing, and i immediately mark in myself some important moment in this in the sound of the orche

, no, no, i only have prince igor, and i'm not burdening myself in any way, i promise, there won'teakdown, well, okay, go rehearse, then let's agree on a gentle regime, okay, yes, tell me, i'll allow it. thank you, boris alexandrovich, and regarding the costumes, we need to alter them a little bit for natasha, well, for her build, these ones are not suitable now, i can give the costume designers instructions, what costume, you see, she can hardly pull off the costume, what costume, it's just because of the load, you understand, and what is its load, let me ask, the pocket, no, we need to change it with all due respect to natasha, to her merits. boris alexandrovich, i understand your concern, but... who to change it for, and where to find a worthy, talented, hardworking, experienced one, experience is a matter of course, everything else, sinyavskaya, why not try, also myatsa sapran. and she has no shortage of hard work, and i think that everything can work out with her. let's not take risks and make dubious decisions. now natalya will show after a break that she is in her previous f

existence, and yaroslavna is still crying the same, but my bitter sorrow is everlasting, you know what igor, princet... and then the crimean tatars passed, and the mongols did not reach novgorod, the crimean tatars did not reach, therefore one part of russia, the northern part of russia, preserved the epic, preserved the memory of another southern part of russia, trampled and burned, and our epic is that, it is about how russian princes sit in kiev, and russian heroes travel between novgorod, murom, chernigov and kiev, but my god, the child of future... times, if we leave everything as it is, if our children do not forget how to think, although we are diligently working on this, so, the child will inevitably rack his brains, why is the past of his country in another country, but why? that's what they did to us in 1991, they not only took away our lands, they took away our past, our the past, our historical memory, our epic about strangers. prince, you are in captivity again, princess, what language do you speak now, my soul, i don’t know how it is with you, in my soul there will be peace only when

igor turai's author's project - propaganda, watch on the belarus24 tv channel. in that porch sat, the tsar, the prince, the king, the prince, the sobornik, the postonik, and where's the watermelon? where did you disappear to? nowhere, i bought a knife, i need to cut the watermelon, right? yes. and you got scared, well, honestly, you were scared that i ran away, but i didn't run away, you know, and i don't want to live in a tent, why? i don't know, i don't like it. well, you know, i 've tightened everything up, but the shock absorbers need to be changed, yeah, do you want watermelons, i'll refuse, thanks. there are two beds in different places, one in the women's room, i think there are two more there, one in the men's double, what are we going to do, can't we do it together? we can't, there's a double room, but they won't give it to us, they're keeping morals. the factory guys are coming on friday, so you can live until friday, you can do it here. take your pick, we've already chosen this one, well, this one's so-and-so. and this one's mine, and this one's mine. yeah, oh, dad, where did you come from,

opera singer svetlana feodulova, protyrey igor famin, and finally, the rector of the church of the holy blessed princeourse, everyone has their own life experience behind them and that is why it was not easy, but i remember, just now it somehow arose that we agreed that everything should be honest, extremely, directly tell absolutely everything, and this was also in to some extent it was difficult, it was a revelation for us to read the rules together, you know, it was such a first experience, but it gradually somehow united us, strengthened us. now i can say that i have no feeling, i am really afraid, maybe it is right to feel the feeling of fear, but now we will ask father igor, i understand that maybe this question is already a little suggestive, well , how should we understand these words of the apostle, what is it all about, that is, is he afraid me my mother, well i would really like her to be afraid of me, because in general these words are addressed... not to the spouse, naturally, to the future head or becoming the head of the family, in general , the man, that is, in what should she be afrai

igor, exactly, when you dropped out of college for him, yeah, and then igor left me, well, but you found yourself a foreign prince, and what is all this is it over? okay, guys, i have to admit that i have no luck with men, not everyone gets such angels as your husband, yes, just as boring and predictable, well, oh you, you bastard, you remembered, but you know, guys, the longer i live, the more i understand you, yes, such a simple, quiet family happiness, it is... underestimated, really, i want to raise a glass to the lesnitsky family, guys, really, i am very, very happy for you, you have succeeded in your profession, the house is a full cup, and most importantly, you did not have time to get bored of each other for this time, yes, for you, thank you, thank you, listen, let's have some wine, seriously, a person with juice is just some kind of fad, so just a second, i'll come over. why don't you want to have a drink with me, because we have to go to work early tomorrow, crap, natasha, everyone has to go to work tomorrow morning, let's have a drink, remember how it was at the institute, let's get burned out, seriou

opera singer svetlana feodulova, wiper igor fomin, finally, the rector of the church of the holy, blessed princer nevsky primgimo. i have said it all. i, vladimir ligoida, will talk about marriage today. are you afraid of your husband? let's start with the main question that is asked? well, somehow everything is always agreed upon with us. we should understand these words of the apostle, what is this all about, that is, is my mother afraid of me, well, i would really like her to be afraid of me, because in general these words are addressed not to the spouse, naturally, to the future head or the man who is becoming the head of the family, in general, that is, in what should she be afraid of him, she should be afraid of losing him, she should be afraid, let's say, of offending him, you and i know very well that losing is very... but here there are still wonderful words that somehow slip through, yes, right before these, that each of you will love your wife as yourself, yes, yes, yes, yes, we, in general, yes, we somehow ride ourselves, we wear ourselves out, but each of us, well , most of us have