materials are sick of treve, did not base neither music nor bret from scratch, only the story about princess waue work of which we based or bret and the whole performance gave me a book, two scripts, two screenplays. this is one film anastasia and the second television film prince mikhail glinsky lived at the same time , they often lived in the same places, they were at about the same level of communication, for sure. they were familiar. and there was some kind of relationship between them, we decided to combine these two scenarios. then richer. history. she then has more facets of a literary tale , a performance that increases the expectations of the choreographer. anatoly dyalendik. wrote the libretto for framed by bret yura trojanism, the scenario plan was forged by the day and i will split into episodes how many busy artists. only then he returned to the composer on the creation of ports, tours vyacheslav kuznetsov protseval butt for six months. yura troyan was the first censor of vyacheslav kuznetsov 's creative work. in the musical phrases, the choreographer in the thoughts would give the