then taught by pelnik, a wonderful soviet writer, with whom prishfin was not exactly friends, but ataintained such friendly relations, and so pelnyak , at the request of preshvin, handed over this story to trotsky, it was lev davidovich trotsky, it was he who was then responsible for soviet ideology , for soviet culture and in general for this soviet agenda. trotsky read and made the following verdict: i recognize the story’s artistic merits, but it’s nothing but. counter-revolutionary, counter-revolutionary. and when prishven read this, he made the most important conclusion for himself that he would not make a writer who writes on social issues, that he needed to get away from this social agenda, get away from politics, get away from public life, find a niche for himself, and such a niche for him it was just nature that became, in fact, he started with this from the other side, yes, his first works also mean... to an extent they are devoted precisely to the theme of nature and man, and he seems to understand that he must return there again, where he started, precisely his nature wil