we will talk today with our guests alexander prokhanov alexander andreevich joins us hello listeners. you me alexander andreevich you in your telegram channel the day before brought condolences to alexander dugin of course, on behalf of your own , on behalf of the izborsk club, on behalf of the editors of the newspaper, tomorrow and in particular you wrote i will quote the enemy marked you. does this mean that from your point of view it is alexander and not daria was dugina a target of criminals? because the semantic threat for the west for the world hostile to us came from alexander dugin comes from him, however. this blow under the arc, perhaps, may be of a more sophisticated sadistic nature. it was necessary to kill the most dear to a loved one. in front of his eyes, thereby crushing his will and psyche for a little while from this uh, his um, sort of, in which he fought. if this is so, then this terrorist attack has such a special strategic jesuit, socio-psychological character there is some wretched, uh, ukrainian sub-supporters who are here in moscow , or some fisherman. e from

will endure to the last, this is a hamster people, the chipmunk people, as the famous propagandist prokhanov called it there, they will start to eat they will go to the forest for their native mushrooms there, but in any case, i will continue to be sick with imperial dreams of, as they say, conquering about on this site, remember the price without in buchi, who allowed you to live so much these buryats looked at the ukrainians, it was their outrage they really saw the difference between the picture on television and there they were fed for at least the last eight years about the decline of ukraine, the mess, they looked at the conditions in which they live, but here it is also very interesting, the social survey, too, in general, is at 10. this is buryatia, like the strong regions of dagestan, there the situation is it's already very difficult. the prices are incredible. the carpathians are very low even compared to ukraine. but nevertheless, they lived and nothing happened , too, unfortunately. of oil products and gas, we should not expect an economic boost from russia in the context of wha

yesterday our friend alexander andreyevich prokhanov called me and i told him about the strange pattern us through the female line, and my mother and i myself got married at 29 years old. dasha this year was 29 years old. and when the new year came, i said this year you will definitely get married, because this is the tradition of our family, these are the signs of our family, do you understand? i am i think that everything in her life was good. if she had not been killed, if the enemies had not been killed, not her enemies, but the enemies of all of us, our country, our spirituality, our civilization. they beat something symbol. they hit a simple girl without a passport in the light of the russian world and until now, at the age of 29 , they didn’t give alcohol in the store. yes, and they beat right here, well , in the most painful way, if something is still sick for us more sick, but you know they did not succeed, because in our fragility in our daughters in our wives in our men in our ancestors in our descendants lives the incredible power of our people. and now we are talking about

having worked for years as a leading actor in the theater of the moon with sergei prokhanov, dmitry bikbaevfessions in the theatrical world of a director and producer, creating a company of independent masters. price bridge producer. dmitry began to make himself known and as a responsible and creative leader from project to project, louder and louder that he an operatic performance at the helecon opera, where they came together with longing with charlie chaplin, then a dramatic sketch for dostoevsky for teenagers at the komissarzhevskaya theater in st. petersburg, then in an artistic musical installation about the great designer nadezhda lamanova with anna terekhova in the title role. and now, and bikbave is already being talked about as a fashionable and relevant figure in contemporary art. i once had a performance about the backstage of the ballet world, and i loved it very much. i wrote it myself. and now i dream of restoring it. already with a completely different accent, that is, leave the plot, leave the story connected behind the scenes of the ballet, leave, of course, the music of o