of the court, when sergei vladimirovich stepan offered me to head the union television. i flatly refused, but he said, here you are. you didn't talk about how you failed to make the public television of russia vlad and you told me about your dream to make a film about the defenders of the brest fortress. here's a chance for you - a direct opportunity, and then we managed to make a tro tv channel. that was the name of the channel union state. and most importantly, to convince everyone that i am worthy of making a film, and the defenders of the brest fortress. well, this is one of the most difficult genres, probably cinema, and films about the war, especially since we, speaking, grew up on very good films about the war and now we have to go to the cinema and watch a good movie. it's such a big deal. what are the features of the genre of military cinema. you are right when you say that you should go to the cinema now and watch good war movies. this is great luck. maybe because my colleagues when making war films , authenticity in films about the great patriotic war is often neglected, and thus the viewer's trust is lost, and the following films lose this trust. uh, conquer again, but it seems to me