where it was from before is pueblo bonito in chaco canyon where there were rooms filled to the ceiling with bowls stacked within each other, bowls like this. all their designs, you can kind of get a glimpse around this. they have this flawless symmetry blending all the way around. it looks like that place. it looks like that landscape. i look into this and i see the sharp edges of the land. i see the way the earth is shaped out there. i see the routes in their vessels. i mean, to understand these, this one came out of a 13th century site in southwest colorado and i would sit with these bowls for hours and hours, drawing them into my sketch book because that was the only way i could really understand the complexity of how they got their symmetries to match up because i could never get them to match up in my drawings. i could never do a 100 percent accurate rendition of these because every line was meaningful, every line meant something about how you paint the next line, which is what it's like walking out there, looking for those shapes, looking for water, looking for springs, looking f