and then, together with boris pyatrovsky, they saved the hermitage masterpieces that were perishing in damp basements. culture, as always, was financed on a residual basis. so only moscow could decide whether the museum would receive the money or not. of course, i accepted people, but considering that the country was very large, you yourself understand that this matter was simply unrealistic, but somehow she and pyatrovsky, it means, got an appointment with me. it was such a very businesslike conversation, very qualified. with experience, he will take half a step back, go around on the other side, and still bring the decision to the end. you constantly live and work surrounded by the strongest, most powerful men in our country. what qualities do you value in men? to a man, i value intelligence first of all, i value determination, strength in the good sense of this words, will. colleagues, i’ll go out now for this. alexandrovich was a lawyer by training, he was a very bright person, a caring person, able to speak, able to persuade, i fell under his charm, and i supported sobchak, we sta

and then, together with boris pyatrovsky, they saved the hermitage masterpieces that were perishing inreceive money or not. i certainly accepted people, but considering that the country was very large, you yourself understand, this matter was simply unrealistic, but somehow she and pyatrovsky, it means, got an appointment with me, it was such a very businesslike conversation, very qualified.

the director of the hermitage, pyatrovsky, is actually trolling: “okay, we will give matis to the pushkinf fine arts return the rembrandt to us, then this one was closed. the next scandalous story with these masterpieces will be in the fall of 2021.” our museums, the hermitage, the pushkin museum and the tretyakov gallery are sending a collection of post-impressionist impressionists from the morozov collection to a grand exhibition at the louis vuitton foundation in paris. this fund was long-time partner of the pushkin museum. the exhibition has the best - 17 russian and 30 french artists. this happened after the skivian gold from the crimean museums was detained in the netherlands. we don't have independent curators, right? i, as a curator, when i heard that i would have to give something out of the funds, i was always overcome by two feelings, and the first was a huge feeling of anxiety, how museum objects would survive transportation, new exhibition conditions, how they would return, how all this will affect their future safety, in paris at the luivviton foundation, of course, it was a

to strengthen provincial collections in the republics of the ussr. the director of the hermitage pyatrovskyly trolling, okay, we will give mathis to the pushkin state museum of fine arts, but then let the state historical museum return rembront to us, topic this one was closed. the next scandalous story with these masterpieces, in the fall of 2021, three of our museums, the hermitage, the pushkin museum and the tretyakov gallery are sending a collection of post-impressionist impressionists from the morozov collection to a grand exhibition at the louis vuitton fondie in paris. this foundation has been a long-time partner of the pushkin museum. the exhibition features the best 17 russian and 30 french artists. this happened after skivian gold from the crimean museums was detained in the netherlands. we don't have independent curators, right? almost none institute of independent curators. therefore , the museum itself decides that it will organize the exhibition. and then management and employees decide where to do it based on. due to the desires of some and various reasons, objective, subject