a fur coat, and herring under, yes, that’s more accurate, more precisely, yes, so, nice fish, pyotr nalich here in the crap all my life. the glorious fish has not seen the sea, has not smelled salt, has not lived in mud. we carry guys korist thoughts, nice fish in fried masa. the fish in the sea choked, peter, what's the story with the song of the bird, yuli kim, yes, yuli kim, but the song of the bird. entirely ours, my text and my music, our common performance with musicians, but this is a big musical and theatrical story that began several years ago, and on the initiative of ekaterina granitova, the mentioned director of the play northern odyssey, yeah, and she found kim’s text based on the twelve-block, which yuli chersanych wrote in the nineties , well, somehow they wanted to compose something with dashkevich, as he later told me, well, something. it didn't work out for them and they abandoned this thing. tirin found gennady. this is so extended, written in its magnificent style with these folk elements, poetic, text. we began to rework it with my friend german magilevsky, who has thi