the tempo of the theater, such unhurriedness, detail, it can be... sometimes boring, so, but pyotr naumovichthat is , the detail of human behavior, it was understood down to the micron, but can one say that this is how stanislavsky’s system was, this is how it was famenko system? i... i won’t take on this, although i’m sure that it was, because i came up with my own definition about pyotr naumovich, so it seems to me that fomenko is such, well , today, such the last poet in the directing profession, so i don't know the person who it would be better if he read poetry, the solution is very simple, it seems to me that fomenko had one god, pushkin, so he knew evgeniy negin by heart, it’s just that... i have a feeling that if he had called his theater not fomenko’s workshop , and the pushkin theater, well, it’s just that there is already a pushkin theater in moscow, then it would have been so, at the first opportunity he did pushkin, and i don’t know if all tv viewers know, but we recently celebrated pyotr naumich’s 90th birthday and zhenya tsyganov did it for me it seems to the audience, the the

and pyotr naumovich takes part in this performance from the screen.at the rehearsals, i very often like to drop in and watch. here he makes a remark, and current artists, young ones, who have not worked with him. do they do it or not? this is some kind of amazing new genre, it seems to me that thanks to tsyganov our theater invented it. so it seems to me that it’s very cool that this exists, we often have... what do we say, we’re either hiding behind fomenko’s shadow or something, it doesn’t bother me at all, because our literary part after the departure of pyotr naumovich , means brought it to me, i can’t call it a spiritual testament, she brought me a list of works that he was thinking about, well, i think my life and this generation will not be enough, firstly there, which is very cool, there is some name there there, and the lady with the camellias is written in parentheses about who should play it, that is, it is clear there what he thought about each actor, so i periodically look at that list once a week, sometimes it turns out to put something

is it just pyotr fomenko’s workshop, tell me a little about him, it’s very easy to talk about pyotr naumovich somehow try to classify him into components , then for me it’s a very big question, what comes first, he is like an artist, great, or like a person, very often when you... people who knew fomenko personally, they first remember some meetings with him in life, and then they remember his performance, it happens, of course, the other way around, but for you, for me, everything is mixed up and it generally seems to me that this is the happy one a case when the way a person lived, he created the same way, with pyotr naumovich it seems to me that a priori it could not be boring, it’s just...’ that was excluded, yes, he had long, difficult rehearsals, sometimes he rehearsed for years , but it was always very interesting, everything he did, and with this is where, as it seems to me, the profession of a director begins, he was always tormented about what he was doing, but if he suddenly did not understand, well , some period or some part of the performance, he could simply get sick and disappe

young people the tempo of the theater, such leisurely, detailed, it can sometimes be boring, but pyotr naumoviche always brought the detail of existence to some unimaginable limits, he could rehearse some kind of exit, like everyone else some of his great predecessors, that is... down to microns, but is it possible to say that this is how stanislavsky’s system was, this is how fomenko’s system was, i won’t take on that, although i’m sure that it was, because i i came up with my own definition about pyotr naumovich, it seems to me that fomenko is like this, well, today he is the last poet in the directing profession, so i don’t know a person who could read poetry better than him. the riddle is very simple, it seems to me that fammenko had one god, pushkin, so he knew evgeniy negin by heart, just by rote and could read any chapter there, i have a feeling that if he had named his theater, not fomenko’s workshop, but the pushkin theater, well, there’s simply already a pushkin theater in moscow, then it would have been so , at the first opportunity he did pushkin, and i don’t know do all tv viewers k

why just a workshop, pyotr fomenko, tell me a little about him, it’s very easy to talk about pyotr naumovichew fomenko personally, they first remember some meetings with him in life, and then they remember his performance, it happens , of course, the other way around, but for you, for me, everything is mixed up, and it generally seems to me that this is that happy case when the way a person lived, he did the same thing, with pyotr naumovich, it seems to me, a priori, it could have been boring, that was simply ruled out, yes, he had long, difficult rehearsals, sometimes he rehearsed for years, but it was always very interesting, everything he did, and this, it seems to me, is where the profession of a director begins , he was always tormented about what he was doing, but if he suddenly didn’t understand, well, some period or some part of the performance, he could simply get sick and disappear there for 2 weeks. for when he came, but this is probably a common place in theater circles, but everyone knows that if some not-so-best student asked him to help analyze the play, then pyotr naumovich o

, or what , this does not bother me at all, because our literary part, after the departure of pyotr naumovichbrought it to me, i cannot call it a spiritual testament, it she brought me a list of works that he was thinking about, well, i think my life and this generation will not be enough, firstly there, which is very cool, there is some title there, there is a lady with camellias written in brackets, who should do it play, that is, it’s clear what he thought about each actor, here i am periodically once a week i look at that list, sometimes i manage to stage something from this list, pyotr naumovich loved to stage prose, he adored it, i’m not even talking about war and peace and family happiness, but in my opinion, the main theatrical statement in the theater - this is... an absolutely happy village , a play that has been going on for more than 20 years, and the actors who play in it tease me all the time, well, maybe we have already grown old, i say, no, you will never grow old, since the play is on old stage in our very small hall, there are 78 spectators in total, we could play it much mo

named after the theater that you head, the workshop of pyotr fomenko, that ’s what kind of person pyotr naumovich and classify him, then for me there is a very big question: what comes first, he as an artist, a great one, or as a person, very often when you meet people who knew fomenko personally , they first remember some meetings with him in life, and then they remember his performance, it happens, of course, the other way around, but for you, for me, everything is mixed up and it generally seems to me that this is that happy occasion when this is how a person lived, he did the same thing with peter naumovich, it seems to me, a priori it was impossible for him to be boring, it was simply excluded, but he had long, difficult rehearsals, sometimes he rehearsed for years, but it was always very interesting, everything he did, and that’s where it begins, as for me it seems that the profession of a director,

left from the previous repertoire, especially a new performance , it was, it was the debut of pyotr naumovicherful, we had to go somewhere, i called fomenko, i say, bless, he says , bless you, let's expand the vessels and narrow them at once, long live the muses, let the mind hide , wonderful, wonderful, well, our interlocutor... remember, of course, pushkin's original, there are no vessels, and the mind, on the contrary, does not hide, appears, but, so, remained, my soul, my brains, i don’t know, my stupidity, still held, the name closest to my heart is vladimir mayakovsky, and i am very glad, i came to visit you dmitry petrovich, because my life, let’s say, the last performance in memory of mayakovsky, began before your eyes, and quite correctly, in rome, it was, well, some amazing family of a grandiose artist who was in love, an italian, who was in love with maykovsky and came up with the book bedbug, illustrations for all the scenes. and his wife larisa ballerina from the astrakhan theater, who wanted to arrange a grand presentation of her husband’s book, but so that the russian word woul

performances left from the previous repertoire, especially a new play, it was, it was the debut of pyotr naumovich theatrical art, became my god in the theater, this is the most beloved creature in culture, if i had to... we , my beloved wife and your wonderful friend galina aksenova, had to go somewhere, i called firenka and i say, bless, he says, bless, let’s expand the vessels and narrow them at once, long live the muses , let the mind disappear, beautifully, beautifully, well, our interlocutors remember, of course, pushkin’s original , there are no vessels there and the mind is the other way around, the sun is the other way around. so my soul remained my brains, i don’t know, my stupidity, still kept the name closest to my heart, this is vladimir mayakovsky, and i am very glad that i came to visit you, dmitry petrovich, because. the life of my , let's say, last performance in memory of mayakovsky, began before your eyes, quite correctly, in rome, it was the time, yes, it was , well, some amazing family of a grandiose artist who was in love, an italian who was in love with maykovsky and came up

performances from the previous repertoire, especially a new performance, this was the debut of pyotr naumovichistrict, microdistrict, and fomenko himself, an extraordinary man attractiveness, a brilliant man of theatrical art, became my god in the theater, this is the most beloved creature in culture, if we needed to go somewhere with my beloved wife and your friend, galina aksenova, we had to go somewhere. i called the fireman and said, bless, he says, bless, let’s expand the vessels and narrow them at once, long live the muses, let the mind disappear, wonderful, wonderful, well, our interlocutors remember, of course, pushkin’s original, there are no vessels there, and the mind there, on the contrary, is not hides, appears, but that's how it is, my soul remained, my brains, i don’t know, mine still kept the name closest to my heart, this is vladimir mayakovsky, and i am very glad that i came to visit you, dmitry petrovich, because the life of my, let’s say, last performance in memory of mayakovsky, began before your eyes, yes, quite correctly, in rome. well, some amazing family of a grandiose

that this is that... happy occasion when the way a person lived, he created the same way, with pyotr naumovichit seems to me that a priori it could not being boring, that was simply out of the question, yes , he had long, hard rehearsals, sometimes he rehearsed for years, but it was always very interesting, everything he did, and this is where, it seems to me, the profession of a director begins, he always but he was tormented about what he was doing, but if he suddenly didn’t understand, well, for some period or some part of the performance he could simply get sick, disappear there for 2 weeks, but when he came, but this is probably a common place in theatrical circles, but everyone knows that if there is any not the best student asked for help in analyzing the play, then pyotr naumovich opened the list of characters and asked the student a question: so what? who he loves, in my understanding, in general, firewoman and love are some kind of synonyms, and love, well, not so, say, romantic or some kind of mundane, but some kind of love in full, that’s how it is to explain , it happens very ofte