it’s just a workshop petra fomenko, tell me a little about him, it’s very easy to talk about pyotr naumovichcomponents, then for me it’s a very big question, what comes first, is he as an artist, great, or what? man, very often, when you meet people who knew fomenko personally, they first remember some meetings with him in life, and then they remember his performance, it happens , of course, the other way around, but for you, for me, everything is mixed up, and in general it seems to me that this is the happy occasion when... that's how the man lived, he also created. with pyotr naumovich, it seems to me that a priori it could not be boring, it was simply excluded, yes , he had long, difficult rehearsals, sometimes he rehearsed for years, but it was always very interesting, everything he did, and that’s where it begins , as it seems to me, the profession of a director, he always suffered. what he was doing, if he suddenly didn’t understand, well , some period or some part of the performance, he could just get sick, disappear there for 2 weeks, but when he came, but that’s already probably a

left from the previous repertoire, especially a new performance, it was, it was the debut of pyotr naumovichnary attractiveness, a brilliant man of theatrical art , became my god in theater, this is the most beloved: a creature in culture, if we needed to go somewhere with my beloved wife and your friend, galina aksenova, we had to go somewhere, i called fomenko, he says, bless, he says, bless, let’s dilate the blood vessels and let’s narrow them down at once, long live the muses, let the mind disappear, wonderful, wonderful, well, our interlocutors remember, so, my soul remained, my brain, i don’t know, my stupidity, still held on, the name closest to my heart is vladimir mayakovsky, and i am very glad that i came: dmitry petrovich to visit you, because the life of my, let's say, the last performance in memory of mayakovsky, well, some amazing family of a grandiose artist who is in love, an italian, who is in love with maykovsky and came up with the book bedbug, illustrations for all the scenes, bedbug maykovsky, and his wife, larisa , a ballerina from the astrakhan theater who wanted to ar

performances left from the previous repertoire, especially a new performance, it was, was the debut of pyotr naumovichrt, became my god in the theater, this is my favorite thing. a creature in culture, if we needed to go somewhere with my beloved wife and your friend galina aksenova, i had to leave somewhere, i called the fireman and said, bless, he says, bless, let’s expand the vessels and narrow them at once, long live the muses, let the mind disappear, wonderful, wonderful, well, our interlocutors remember, of course, there are vessels no, and the mind is there on the contrary, it does not hide, it appears, so, my soul remained , my brains, i don’t know, my stupidity, still held, the name closest to my heart is vladimir mayakovsky, and i am very glad that i came to you to visit. dmitry petrovich, because the life of my, let’s say, last performance in memory of mayakovsky, before your eyes it began, and quite correctly, in rome, it was a time, it was, well, some amazing family of a grandiose artist who was in love, an italian, who was in love with maykovsky and came up with the book bug, illustratio

performances from the previous repertoire, especially. the performance, it was, was the debut of pyotr naumovich attractiveness, a brilliant man of theatrical art, became my god in the theater, this is the most beloved creature in culture, if we needed somewhere with my beloved wife... your friend, galina aksenova, i had to go somewhere , i called fomenko, i say, bless, he says, bless, let's expand the vessels and narrow them at once, long live the muses, yes the mind will disappear, wonderful, wonderful, well, our interlocutors remember, of course, pushkin’s original, there are no vessels there, and the mind there , on the contrary, does not hide, but appears, but so. my soul remained, my brains, i don’t know, my stupidity, still kept the name closest to my heart, this is vladimir mayakovsky, and i’m very glad that i came to visit you, dmitry petrovich, because uh, my life, let’s say so, the last performance. mayakovsky's memory began before your eyes. yes, absolutely right, in rome, it was, yes, it was, well, some kind of an amazing family, a grandiose artist who is in love, an italian who is

entrepreneurship issues, vladimir naumovich, deputy minister of economy of belarus, ruslan strakhar, deputy chairman of the mogilev regional executive committee, pyotrral director of the belarusian fund for financial support of entrepreneurs, olga rachko, chairman of the primary organization of women entrepreneurs of the city of minsk, honest association belarusian women's union. dear guests, good evening. hello, tell me which of you took part in the events of the belarusian entrepreneurship week. have you managed to establish a dialogue between business and government? share your impressions? you know, i think i'll express the general position, everyone present at the table, the participants of our event took part in the belarusian entrepreneurship week. it lasted for. not a single week, it was a fairly massive event, the main task of this week was to work on the part of government bodies, authorities, together with business, to select those approaches that would allow business to develop further in those priority areas of the economy that are defined by the strategic documents of the republic, and this is the development of production entrepreneur