>> well, beth of those great arguments, actors, ralph richardson i couldn't tell where the acting was, that was the thing. i didn't know where the words were coming from, you know, it was tough to spot the machinery, i see how he shaped that sentenced or she, i can -- i can feel the thought process, i can see them placing a word within a tool, i didn't know where one word was coming from. that was lin-sanity if you like. >> rose: yes, yes. >> complete -- and he was crazy too. in a weird way. you know, you would just pass him on the stairs in the theatre and i was this lowly dresser, i was studying at roderick at the time, to just meet this great man and he would go hehoo and get on his motor and go home. >> when you were approached by this production, or did you grasp for it and say this is what i want to do or did you -- >> i said, no. i know greece beck well and love her writing and she really wanted feedback and so she sent this play about two years ago not particularly -- unless she was being really crafty but as far as i know it was just what do you think about this play. >> rose