drawn into the for raoul moat. drawn into the mono— for raoul moat.event. but once— yourself into harm's way in any event. but once you were ociooiiv— event. but once you were actually tracking someone who known io — actually tracking someone who was known to be— actually tracking someone who was known to be dangerous, was inor— was known to be dangerous, was that frightening?— was known to be dangerous, was that frightening? you know, how did that frightening? you know, how iii-iii— that frightening? you know, how iii-iii voo— that frightening? you know, how did-did you feel- that frightening? you know, how did-did you feel 7- that frightening? you know, how did did you feel ? well, did it how did you feel? well, to did it how did you feel? well, io ie— did it how did you feel? well, to be honest— did it how did you feel? well, to be honest with— did it how did you feel? well, to be honest with you, i wasn't i to be honest with you, i wasn't rwoeni— to be honest with you, i wasn't ii eo— to be honest with you, i wasn't i wasn't so worried— to be hone

drawn into the for raoul moat. drawn into the mono— for raoul moat. in any event. but once— yourself into harm's way in any event. but once you were ociooiiv— event. but once you were actually tracking someone who known io — actually tracking someone who was known to be— actually tracking someone who was known to be dangerous, was inor— was known to be dangerous, was that frightening?— was known to be dangerous, was that frightening? you know, how did that frightening? you know, how iii-oii— that frightening? you know, how iii-iii voo— that frightening? you know, how did-did you feel- that frightening? you know, how did-did you feel 7- that frightening? you know, how did did you feel ? well, did it how did you feel? well, to did it how did you feel? well, io ie— did it how did you feel? well, to be honest— did it how did you feel? well, to be honest with— did it how did you feel? well, to be honest with you, i wasn't i to be honest with you, i wasn't rwoeni— to be honest with you, i wasn't ii eo— to be honest with you, i wasn't i wasn't so worried— to

the gunman's been named as raoul moat.and context is everything. a bbc drama about the infamous paedophilejimmy savile, played by steve coogan, is due to be shown later this year, with reported nervousness about how it will be received. and now the bbc is facing protests about its portrayal of grenfell. grenfell has already had a dramatic treatment, with verbatim theatre productions of the public inquiry. channel 4 aired one of these productions in 2021. for its series, the bbc plans a comprehensive account of the events leading up to, during and after the devastating fire. opponents accuse the bbc of acting in the interests of entertainment. the creator of an online petition writes... but are there stories now beyond the influence of the victims of grenfell, and when — if ever — is the time right to dramatise such a tragedy? i'm joined now by screenwriter luke neal, who wrote the drama about serial killer dennis nilsen, and kimia zabihyan, who lost a relative in the grenfell fire. what is the fundamental objection here? w

and as a new tv drama is released about the hunt for gunman raoul moat.