temples were famous in the classical style. in its time, this seemed to be the right of the rassiyskaya empiren in the other half of the 19th century, classicism could not, here a new trend is emerging, this is the name of the pseudo-russian style, which is a great time and vykarystovaya ў russian empire for the social significant monasteries, which were the ancestors of the russian empire, and at the same time guess about the national traditions, such as we have always been associated with the byzantine culture, perasensavanai mascovian. there, it seems that you can only use smalt mosaics, smeared on a tartan sheathed plowing table, the right angle corners are decorated with arched partals with columned vases, and the astatine ones have a stage. the edges are cut with platbands. the facades are covered with thick , flaccid windows with the same plastic stops. for the gomel ploughing, at the ensan plant, ceramic unglazed shells were carved into drums and arches. balusters-like poles on ledges at the scenes, flanking sklyapenі above the exits. in this spirit, different terracotta reliefs were c