(ray liotta) there was jimmy and tommy (ray liotta) and me. (ray liotta) and anthony stabile. the person walk in and he's standing there. and then you cut to see what he sees. but the camera starts to move. it becomes his point of view. i did one of those in "goodfellas" where everybody's saying, "hi, how are you," where they're introducing the gangsters all hanging out. they're not talking to the camera. they're talking to the left, which is the main character. (ray liotta) and you had nicky eyes. what's up, guy? (ray liotta) and mikey francese. love that guy. yeah, i wanna see him. (ray liotta) and jimmy two-times who got that nickname because he said everything twice like ... i'm gonna go get the papers, get the papers. perhaps you should look to point of view as an expression of the emotion of the character. you may see that person in the scene. you may see other people in the scene. i think the best example of a complex expression of point of view is in george stevens' film, "place in the sun," which is his masterpiece and one of the finest uses of a filmmaker using the s