we're about to audition for the famous producer ray mondo. ] >> i once say the great ray mondo the magician. he was so bad, he made the audience disappear! [ laughter ] >> sure, that would be fab. when's the audition? [ chord plays ] >> how about right now? he gave me his cellphone number. >> very impressive. hard to believe that you can sound so old. so, zene, how do you come up with the right voice for a character? >> oof, well, depending on the character -- well, rich came to me and asked me if i could do a scottish accent. i said yes, and i pretty much -- we pretty much were in the booth. and you sort of just listen to what his directions say. like, sometimes you go in there, and you're like [scottish accent] "hey, i've got some exciting news." he won't like it. or [lighthearted] "hey, i've got some exciting news!" and he's like, "yeah, yeah, yeah, so keep playing with that." and you kind of go with what he's saying. and you got your headphones on, you got the microphone, and you pretty much go with that, pretty much where he wants you to