. >> sherman ray moore was at the bank window trying to cash a check from my mother. >> the bank tellera few hours later. >> put me in the police car, take me to the county jail, read me my rights, tell me what i'm charged with. i'm charged with capital murder. you're going to get the electric chair. we're going to kill you for taking a life of some woman, a white woman. you're going to pay for it. >> moore was sentenced to life without parole and spared the death penalty. his victim's son got a chance to confront him. >> i told him he could rot in jail as far as i could care less. >> with no chance of ever getting out, moore developed a reputation for extreme violence. >> i immediately adapted to prison survival. i entered holman in 1984. don't befriend nobody. don't trust nobody. only trust your knife. i had three stabbing cases, multiple fights. i had this attitude, probably for like 16 or 17 years out of 24 years that i've been in prison, i've done at least 15 in se regular investigation and i was like living in a dead end until my daughter gave me a wake-up call and told me how muc

rays that could damage the art inside. by november of 1977, they were ready to receive the first of the commissioned works. they came from england, france, spain, and from across america: calder and moore, arp, caro, miro, motherll, rosati, their works to be placed in the grand spaces. ( orchestral music this building is a gift given to the natn by pl mellon, ailsa mellon bruce, and the andrew w. mellon foundation, but it is more than that. it is a statement, as one critic wrote, "of perseverance and excellence, against which all buildings and builders must now be measured." annenberg media ♪