with an impressive ensemble cast and including upcoming talents like phil daniels, ray winstone and philng, quadrophenia painted a brilliant portrait of timeless teen angst set against the mid—60s backdrop of warring mods and rockers. fast forward several decades to peter meadows' book to be someone, the cover of which boldly declared that "jimmy's story continues," although as disappointed quadrophenia fans discovered, there's actually precious little connection between the two. nevertheless, we now have to be someone the movie, a film which joins the recent bowie—inspired stardust and the morrisey—approved trainwreck shoplifters of the world in the great pantheon of terrible modern pop movies. so, why are you so jumpy? i'mjumpy, tommy, because we've got problems. we've got mad mike, we've got the yardies, and we've got bent coppers. and i think we have to get rid of them. get them off our backs for good, agreed? set in some weirdly non—specific future retro world and boasting appearances by quadrophenia stalwarts like leslie ash, gary shale and toyah, to be someone, which takes its nam

with an impressive ensemble cast that included upcoming talents like phil daniels, ray winston and philongside the likes of toya wilcox and sting, it painted a brilliant portrait of timeless teen angst set against the mid 60s backdrops of warring mods and rockers. fast forward several decades to be someone, the cover which boldly declared that this was jimmy's story continued although many disappointed fans discovered, this actually precious little connection between the two. nevertheless, we have to be someone the movie, a film which joins the recent bowie inspired stardust and the morrissey approved train wreck shoplifters of the world in the greek pantheon of terrible modern pop movies. so, why are you so jumpy? i'mjumpy, tommy, because we've got problems. we've -ot because we've got problems. we've got mad _ because we've got problems. we've got mad mike, we have been cops and i think_ got mad mike, we have been cops and i think we _ got mad mike, we have been cops and i think we have to get rid of them! to get— i think we have to get rid of them! to get them off our backs for good!

years later, a showdown with ray winstone's evil drakov is on the cards as our heroines go head—to—headteractions between its central foursome, whether it's the mid—chase bickering betweenjohansson and pugh, both of whom are terrific, or the pathos—laden comedy of harbour�*s dejected superhero, an embarrassing dad who longs to be as celebrated as captain america. 0n the downside, ray winstone's russian accent can become distractingly experimental, and the need for standard marvel action spectacle means nuance gives way to smashy—crashy pyrotechnics. but for the most part, this is an entertaining origin story which givesjohansson a chance to breathe real life into the title character. i'm done running from my past. black widow opened in uk cinemas earlier this week and is now available on disney+ with premier access. that's it for this week. thanks for watching the film review. stay safe, and i'll see you next week. there's a note in here. it's about the water man. is this a prank? where are your friends, huh? where are they hiding? where are your buddies with the cameras? well, it's a m

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