many of these places of work begin to recentralize just like the 18th century back into the urban places and more of a factory mode. or you get someone like rufus porter who moved to new york. he finds that and robert peckham or someone like arastis field. so you don't have to sit for one of the portraits. he will take a family picture and paints the group portrait from a type. i would argue this is more solid and more boring and much of the exuberance has been diminished by that particular mode. then you get an interesting story with the types because you get the same process of people who go out with urban training and move into the provincial areas looking for a wider more diffused market. in the 1850s, you get entrepreneurs like hawes and brady. they try to make what they consider the flat portraits. i'm not so sure they are cheap, but this is a plain portrait similar in the mode to the earlier folk portraits. many in the 1830s would want their portraits to look like the early 1800 portraits. much like a direct gaze and romantic shading and a flatter lighting that doesn't privilege t