more than a century later, rembrandt, who never saw the original drew it from copies.lthough leonardo only left behind him a handful of masterpieces, their influence has made itself felt all over the world. taking models from real life was a characteristic of leonardo and his notebooks are filled with a variety of faces-- some beautiful and some grotesque. when leonardo applied his artistic genius to his scientific observations the results were meticulously accurate. his anatomical studies for example, are still used even in medical schools today. many of these drawings are now in the royal library collection at windsor castle. dr. kenneth keel who is an authority on these anatomical drawings commented on them. keel: leonardo's anatomical explorations really are comparable to those of columbus in the sense that leonardo explored the microcosm that is this small world of the body at the very same time as columbus was exploring the greater world, the macrocosm, and the oceans of the world. and he described the human body as a marvelous creation. as a matter of fact, he c

reporter: the dulwich picture gallery is one of the world's oldest filled with hundreds of paintings, rembrandts rubens worth billions. amid the masters, and the originals lurks a copy. the challenge for visitors is to spot among the paintings, which is the fake. is to this one or this one. this one. by putting a replica in the frame, they are putting the replica in an original flame. it is open to suspicion. i think that heightens the sense that you give to every piece. >> the gallery sent a high resolution digital photograph where most of the world's mass produced start is pointed. reproductions to any style are big business. they are trained and expert in making copies. in one business alone. studios and workshops produce 5 million replication posing an interesting question - like what is art, what gives it its valuement philosophers have been pondering those questions. >> the value of art is not just the value of what it looks like. a work of art is not just an appearance it's a product of someone's effort and skill and technique and originality. it's good to have a show like this, because a

more than a century later, rembrandt, who never saw the original, drew it from copies.although leonardo only left behind him a handful of masterpieces, their influence has made itself felt all over the world. taking models from real life was a characteristic of leonardo, and his notebooks are filled with a variety of faces-- some beautiful and some grotesque. when leonardo plied his artistic genius to his scientific observations, the results were meticulously accurate. his anatomical studies, for example, are still used even in medical schools today. many of these drawings are now in the royal library collection at windsor castle. dr. kenneth keel, who is an authority on these anatomical drawings, commented on them. keel: leonardo's anatomical explorations really are comparable to those of columbus, in the sense that leonardo explored the microcosm that is this small world of the body at the very same time as columbus was exploring the greater world, the macrocosm, and the oceans of the world. and he described the human body as a marvelous creation. as a matter of fact,

. >> reporter: the gallery is one of the world's oldest filled with hundreds of painting rembrandt's, rooub ren's. amidst the old masters and originals lurks a copy worth $12 #. the challenge for villagers is to spot which is the fake. is to this one? the shading is heavy-handed or this one. some of the push strokes look hurried, or this one. by putting a replica in the frame. we are putting is in the frame. basically every picture in the place is open to suspicion. and i think that just heightens the sense of scrutiny that you give to every piece. the gallery sent a high resolution digital photograph where most of the world's mass produced start is pointed. reproductions, period or style, are big business in southern china. artists are trained and expert in making copies. in one village studios and workshops produce five replicas every year and it poses interesting questions, like what is art, what gives it its value. phil os fers pondered the questions for millenia. >> it's not just what it looks like. a work of art is just an appearance it's a product of someone's effort and skill

team high 20. 89-84 warriors is the final not rembrandt but the if 41-9. become to davis. she can pitch. she can also shoot a basketball. shooting from deep she was draeng nba 3 before the game with seth. she says some day she would like to play at use con and she's a very big curry fan. >> i wasn't really paying attention when he first came out but it was nice to meet him out but it was nice to meet him. well he's my favorite player and also his playing style is one of the best if the game. >> to the ice shark flames in the tank first period burns hooking right there 2 minutes for verns in the box and power play for calgary. raymond. shatter and scores. 1 nothing flames. just 3.1 seconds left in the period. face off. lead cut in half lining that. sharks down. the rip it rip it 12th of the year. third periodical gear on another power play. andrew can't clear power play. andrew can't clear. result another goal. the hoolingts wins 4-one flames the final. beat the sharks second time in less than a week. shark fourth loss in the last 5 games. a's insist they are not rebuilding

team high 20. 89-84 warriors is the final not rembrandt but the if 41-9. become to davis.she can also shoot a basketball. shooting from deep she was draeng nba 3 before the game with seth. she says some day she would like to play at use con and she's a very big curry fan. >> i wasn't really paying attention when he first came out but it was nice to meet him out but it was nice to meet him. well he's my favorite player and also his playing style is one of the best if the game. >> to the ice shark flames in the tank first period burns hooking right there 2 minutes for verns in the box and power play for calgary. raymond. shatter and scores. 1 nothing flames. just 3.1 seconds left in the period. face off. lead cut in half lining that. sharks down. the rip it rip it 12th of the year. third periodical gear on another power play. andrew can't clear power play. andrew can't clear. result another goal. the hoolingts wins 4-one flames the final. beat the sharks second time in less than a week. shark fourth loss in the last 5 games. a's insist they are not rebuilding but when you tr

team high 20. 89-84 warriors is the final not rembrandt but the if 41-9. become to davis.e can pitch. she can also shoot a basketball. shooting from deep she was draeng nba 3 before the game with seth. she says some day she would like to play at use con and she's a very big curry fan. >> i wasn't really paying attention when he first came out but it was nice to meet him out but it was nice to meet him. well he's my favorite player and also his playing style is one of the best if the game. >> to the ice shark flames in the tank first period burns hooking right there 2 minutes for verns in the box and power play for calgary. raymond. shatter and scores. 1 nothing flames. just 3.1 seconds left in the period. face off. lead cut in half lining that. sharks down. the rip it rip it 12th of the year. third periodical gear on another power play. andrew can't clear power play. andrew can't clear. result another goal. the hoolingts wins 4-one flames the final. beat the sharks second time in less than a week. shark fourth loss in the last 5 games. a's insist they are not rebuilding bu

rembrandts rubens. worth millions if not billions. amidst the masters and originals is a copy worth $126. the challenge is to find out which among the 270 paintings is the fake. is to this one, shading is heavy-handed. or this one, some of the brush strokes look hurried. or this - is the paint still wet. >> by putting a replica in a frame, in the gallery, basically every picture in the whole place is a suspicion. i think that heightens the sense of scrutiny that you give to every peace. >> the gallery sent a high resolution digital photograph to china, where most of the mass production is painted. reproductions, any period for style are big business in southern china. artists are trained and expert in making copies. in a village alone, studios and workshops produce 5 million copies. it poses questions, what is art, what gives it its value. film os officers have been pondering the questions. >> the value is not what is looks like. it's not just an appearance buttest and skill and technique. >> it's good to have a show like this. art is

it's filled with hundreds of paintings, rembrandts, reubens worth millions if not billions. amidst all these old marts lurks a copy worth $126. the challenge is to spot among the 270 paintings which is the fake. is it this one? the shadings are a bit heavy hand: or this one the brush strokes look hurried. or this one? the paint looks wet. >> by putting a replica in the original frame in the gallery wall. basically every picture becomes open to suspicion and it heightens the scrutiny you give to every piece. >> the gallery sent a high resolution digital photograph to china where most of the world's mass produced art is repainted. reproductions are big business. the artists are trained and experts in making copies. in one studio alone they reproduce 5 replicas every year. what is art? what gives it it's value? philosophers have been question questioning that for millennium. >> a work of arrested is not just an appearance. it's the product of someone's effort skill and technique and originality. >> it's good to have a show like this because increasingly art is becoming an asset

filled with hundreds of paintings, rembrandts and reubens, worth millions, but amongst them lurks a copy. worth $126. the challenge for visitors is to spot among the 172 paintings, which is fake. is it this one? the shading is a bit heavy-handed and the brushstrokes look hurried. this one, is the paint still wet? >> to put the replica in its original frame in the gallery wall, so every picture in the whole place is open to suspicion, and i think that that heightens the scrutiny. >> the gallery sent one of them to china and reproductions any period or style are big business in southern china. the artists are trained and expert at making copies. in one village alone studios and workshops produce 5 million replicas a year. and that poses interesting questions. like what is art and what gives it it's value? philosophers have been pondering that that centuries. >> the value of art is not just what it looks like, it's not just an appearance, but it's a product of someone's effort and skill and technique and originality. >> it's good to have a show like this, because increasingly, art is becomi

. >> one of the world's old etc., it is filled with hundreds of paintings rembrandts worth millions. amidost these ode masters the originals lurk as copy, worth $126. the challenge for visitors is to spot among the 270 paintings which is the fake. is it this one? the shadings is a bit heavy handed or this one some of the brush stroked look hurried or is it this one is the paint still wet. >> by putting a replica in one of the trips in it's meteorologistal frame in the gallery, so every picture in the whole place becomes open to suspicion and i think that heightens the sense of scrutiny that you give to every people. >> the gallery sent a high resolution digital photograph to china, where most of the mass produced art is painted. reproductions any period or style are big business, the artists are trained and expert in making copies. in one village alone studio pros deuce 5 million replicas every year. and that poses some interesting questions. like what is art? and what gives it it's value. >> the value of art isn't just the value of what it looks like, it is a product of someone's ef

. >> the picture gallery is one of the world's oldest, filled with hundreds of paintings rembrandts reubens worth millions if not billions, but amidst them lurks a copy worth $126. the challenge for visitors is to spot which is the fake. is it this one? the shading's a bit heavy-handed. this one some of the brush strokes look hurried. is it this one? is the paint still wet. >> i put a replica in one of the frames so basically every picture in the whole place becomes open to suspicion. i think that heightens the sense of scrutiny you give to every piece. >> the gallery september a high resolution digital photograph to china where most of the world's mass reduced art is painted. reproductions, any period or style are big business in china. the artists are trained at experts in making copies. in one studio, 5 million replicas are produced every year. that poses interesting questions, like what is art and what gives it its value? philosophers have pondered those questions for a millennia. >> the value isn't just what it looks like, not just an appearance it's a product of someone's effort and s

they sell portraits -- they almost like to sell portraits of a van gogh or a rembrandt.aw herself. she saw herself as a photographer and artist. >> but it also raises other interesting questions, questions of ethics, of discovery and filmmaking, right? this was an intensely private woman. it's not clear -- in fact, looks as though she didn't want her work or life to be out there and that's what you've done is put it out there. >> vivian was doing the same thing that we're doing in a sense, she's documenting people. she's documenting not so pretty lives of people that are kind of on the margins of society. so she's doing the same type of job we're doing by documenting other people's lives. we're dealing with a story of a person's life and all its complexity. this notion vivian would not have wanted her work to be seen and she was private and that included her art, that she was creating art for art's sake and she was somehow too pure to have her work seen by the world, i think that that's overstating it. >> brown: another challenge has arisen with a recent lawsuit filed in

>> light comes through the shadows, and the rembrandt. that's the way i pick chord my parents' youth. >> "the godfather" i is the greatest movie made. it's about italians fra from queens. they're eating during the whole movie. they bring out this plate, my grandmother had that same plate, the same design. it was so carefully researched. >> i told my father to see it because i was interested in movies and marlon brando was in it. he saw it on a wednesday and he was flipped out and went to see it that saturday. oh, yeah, absolutely. it made a huge -- >> it was like watch ago story about your family elevated to something like they were the ken dis, youdis-- the kennedys, you know what i mean? >> but not all italian americans had such a positive response to "the godfather" and some took to the streets in protest. >> we are united against discrimination and defamation! >> many were concerned the association of italians with crime was holding them back. >> 17 years, i got three children growing up with a cloud over their head. >> this was a ste

the book that got me in to fight for religious freedom in 1981 was torture for christ by richard rembrandto talked about the presence of cuba where torture is commonplace. he talked about these tortures that just never ended. just no sleep. you never know when you get another shot in the face of the nose as the guard shifted from one shift to another. they would use these polls. talking about always designed by sadists to extract the worst possible pain and in the sexual abuses that are visited upon people. talk about how they punched his teeth major major problems just beatings and more beatings. i honestly believe castro and those who have committed these atrocities are to be held to account by for crimes against humanity rather than invited in his partners. we have to deal dictators as a country. to have human rights as an issue is a serious mistake. the embargo i would say for the record there has been robust trade with the european union canada and other countries of the world with cuba for decades and there has been no diminishing whatsoever and torture child sex trafficking. if anyt