renzo: of course.e never got a new job for 10 years for that but movement as part of architecture. this building, we cannot find that sort of place. on the ground floor you see three big elevators. then you see the stairs. everything is about moving. charlie: was adam helpful, or did he get in your way? [laughter] renzo: it was great. adam: we have been accomplices. exactly. charlie: accomplices in a conspiracy to create something great. you would meet once a week? adam: we met every time he was in new york. every eight weeks. for example, talking about the movement, only one wanted the elevators front and center, we came up with the idea of commissioning the artist richard to turn each elevator into an installation so that not only was the movement the movement, which we loved, and renzo responded to this, and he designed the environment. renzo: i love the idea that you don't go to our review push a button and then are comes to you. [laughter] charlie: what new elements are you most excited about? ada

to renzo piano? (laughter) >> rose: which ones did they love? >> the byler museum, the manil and the pampadi museum, those three were the ones names came you have over and over again. >> rose: but you said to them, i'm not prepared to compete. i don't do that. if you want me to do it, offer me job and i'll -- me the job and i'll do it. >> yeah, but i hope you understand. you saw the layout. at a certain age you don't want to fall in love with jobs like that. you don't want to fall in love and then the bride goes away with somebody else, it's just too much. >> rose: so you don't want to fall in love with the idea of building this museum because you're going to tell them what your vision may be and then they may say we're going with somebody else. >> yes, it's a passion. you cannot do this profession without passion. you have to put yourself into it. and also this was really incredible because i am european, i am italian. i grew up in my country. you grow up with great rulers and culture in italy but a

the new building designed by renzo piano will open a few blocks from its original location. it is called a depth series achievement and the city's changing colter landscape. joining me now, renzo piano and adam weinberg. this az remarkable -- this is a remarkable story. it is about a city. the driving passion of people to make sure that the whitney would live on and reflect our time in

joining me now, renzo piano and adam weinberg. this az remarkable -- this is a remarkable story. it is about a city. the driving passion of people to make sure that the whitney would live on and reflect our time in the future as well. it is a great honor to have them back at this table. welcome. it is complete after some dozen years of planning and building. how do you characterize this moment for you? adam: the whitney has been trying to expand for 30 years. we tried to expand next were building uptown. it was for directors ago. the collection when we first moved in with 2000 works. today it is 22,000 works. the idea of being able to see not just what we have, but to offer possibilities and aspirational spaces for artists to do things like we have never been able to do before. charlie: and you're going back

semana que hay crÍticas fifls para familias en el departamento de seguridad, hace unos dÍas la confe renzos es el capitolio en washington fernando pizarro univisiÓn. cl lilian: el paÍs avanza en un 60% del Índice de graduaciÓn, y que estÁn en un 81. 4, esta es una mayorÍa gracias al aporte de estudiantes latinos aumentando un 4. 2%. >> refleja los deseos de la comunidad latina de salir adelante, de seguir triunfando, a sea lo que sea que nos pasa, vemos que los estudiantes siguen estudiando para ser tratados iguales, para lograr sus metas y salir adelante para mejorar las vidas de ellas y sus familias. lilian: la implementaciÓn de nuevas iniciativas y una nueva implementaciÓn de sus padres de familia es para los estudiantes del paÍs, aquellos estados con mayor concentraciÓn de hispanos son los que hacen la diferencia. >> hemos visto que la tasa es mÁs alta en tres estados especÍficos, california texas e illinois. lilian: con un mayor nÚmero de estudiantestuestudiante estudiantes latinos, tambiÉn el nÚmero de aquellos que quieren un tÍtulo universitario, desafortunadamente no todos llegan a

the new building designed by renzo piano will open a few blocks from its original location. called a depth

the new building designed by renzo piano will open a few blocks from its original location.new yor

this striking building by the famed architect renzo piano. it occupies a prime location in chelsea, the center of -- >> celebrating american art is about freedom. slightly wide, a bit uncompromising. reporter: the triumph is in the interior. there is a completely different rhythm walking through the whitney compared with former home in the boyer building. instead of a fortress for high art, there is a field. with double its former space the museum is able to showcase more of its permanent collection. signature works, as well as never before seen pieces. outdoor galleries call in the experience. >> you look at some sculpture and it was made -- he was looking at the hudson river. you have davis' culture, the hudson river on the other side, and you see this mechanical bronze sculpture against the forms of industry. it is quite a beautiful view. it enables you to see art in a way you have never seen it before. reporter: in a city with no shortage of galleries, the hope is this will become a must-c destination. laura: another attraction downtown.

architect elisabetta trezzani managed the project with world- renowned museum builder renzo piano. on a large outdoor terrace, she showed us how she and her colleagues thought of their mission here. >> to create places that are connected with the neighborhood and all the city. >> brown: so the city is the canvas in a way. >> yes exactly. >> brown: and what a neighborhood this is, or was. trezzani told me of her first time here. >> when we came there was only meat packing on this street, there was working 24 hours. and there was blood on the street. >> brown: there was blood on the streets? >> yes. >> brown: this is new york's meatpacking district, long a busy and messy and once- dangerous area where few residents or tourists ventured. now, it's a bustling neighborhood in a new way-- of restaurants and high-end shops. the museum is adjacent to new york's high-line, the hugely successful above-street level park that attracts thousands of visitors every day for an almost whimsical walk through the city. the whitney, which certainly has a ship-like look, with the hudson river on its ot