i've got a cute richard siegel's by difference company is trying to do exactly that be different to conventional ballet and dance his performers come from various cultures around the world and in their latest projects they've teamed up with dancers from nigeria and you can see the results in total on our program this weekend i leave you with a taster of that thanks very much for watching and goodbye from that. people have come to work people have come because they're because they're passionate about dancing in general and about dancing together in this group specifically the choreography is done. redone and redone and we don't mean it's a volatile art form and at times it's useful. to still release some kind of latent energy which may still exist within the world. putting these 2 things to get there a difference of ballet of conservation progression of innovation. that's that's not only very productive but i think it's very necessary. never has it been the stock. is facing a mass extinction. you could say that hope itself is in danger. but there is a glimmer. the biggest companies are uniting to

the public to the performance and so did the dancers but richard siegel choreography is a process so he's revising a piece to bring it closer to his original concept. so i think the best thing to do would be to just actually kind of pair you up and what will end up doing is we'll have we'll have you know 2 people doing doing the same thing but then i think we're going to start to make little. modifications to it i was as a as it goes. in my case i have friends who argue with frank who is a energy bomb. and i think we have a completely different audience so my body i realize working with him that it's really a drag i can twist in different directions and he's great even mocked is very strong so it's that he he gets the steps in a different way sometimes and it's really interesting because i also don't speak french and when he speaks he's basically i'm trying to count in french for him as well trying to translate basis just for the body so we don't know we all have a possibility to share it chords and i think we have a good microphone. just because. the. show's new to me mr x. police o

this creation of adventure is led by choreographer richard siegel. plays the dance studio is now changing behind a gas station in the middle of an industrial area. the dances know each other some of the met while the project was in the development stage others have danced on stage with siegel for years. the beginning was incredible when they came on the music loud or else the n f 3 if they felt. their energy is contagious i think they're amazing. the choreography is done. and done and we've done it it's a volatile r. form and at times it's useful. to see release some kind of latent energy which may still exist within the world. we have this downs that's choreographed we can teach parts of we can modify parts of that but it shouldn't it's not just in one direction that's what i'm what i'm saying the important thing is exactly what has happened when we walked into the room and you guys were dancing and the music was good and we started going and everybody just started dancing and now i'm a sweaty mess and that's that's that's exactly. what we came for

the public loved the performance and so did the dancers but richard siegel choreography is a process so he's revising the piece to bring it closer to his original concept. so i think the best thing to do would be to just actually kind of pair you up and what we'll end up doing as well have we'll have you know 2 people doing doing the same thing but then i think we're going to start to make little modifications to it as as a as a ghost. in my case i have. frank who argue with frank who is a energy bomb. and i think we have good completely different bodies so my body and i realize working with him that it's really a drag i can squish in different directions and he's breaking a locked it's very strong so it's that he keeps the steps in a different way sometimes and it's 3 interesting because i also don't speak french and when he speaks he's basically i'm trying to count in french for him as well trying to translate basis just for the body so we don't honestly know how to spin it into to share chords so i think we have a direction. that. is. chosen to mr x. for me to studios so when i si