i mean, i've talked to ridley scott over the years a lot, and obviously he was producer on blade runner, um, and we sat talking, and i said, "well, i'm really glad to meet you, �*cause it is the first time i've met you, but you always operate." he said, "yeah." "well, are you not going to operate?" he said, "no, i'm going to operate." i said, "well, i operate, so it's not going to work, is it?" and he said, "no, i guess not." but it was kind of nice chatting, you know. so it wasn't about intrusion, it was about the method of working, and just, sometimes, sometimes that's your comfort zone, i suppose, and you don't want to go out of it, or, i say it's that sort of personal relationship with a camera. i find what the camera does, the position and the composition, is more important than lighting. i love lighting, but that's not it, really, it's my relationship with the camera and the relationship of the camera to the actors in the frame. it's how do you compose a human face? how do you... you know, often, an actor or actress are on a set doing a big emotional scene, and the first person th