there was of a recent opening of the mississippi civil rights museum. but part of the redemption and reconciliation is because there have been actual convictions. jerry: yes. sherri: because of the work you have done. can you talk about what you feel about how your work fits into the legacy of the history of mississippi? jerry: i think what is important is, the first thing, before you have reconsidered he is in, to have truth. you have got to have truth. -- before you have reconciliation, you have to have truth. you have got to have truth. i think it has been part of the problem, that the truth hasn't been told. how many students learned about this in school. i think that is one of the reasons i do this on my facebook page and twitter page is because every day when i post these things, i'm kind of amazed by how many people, both black and white say, i never knew this. its history, as i always put it, it's not just black history, this is american history. i am amazed by how it is just not being taught. the civil rights movement often gets reduced to this

the mississippi civil rights museum i feel like is excellent. who all has been to the civil rights museum in mississippi? anybody? we actually have several. i think it's excellent. among the regional, i would say excellent, obviously, the one here in d.c. is superb. sherri: you talked a little bit about earning the trust of your sources.i thought it was really interesting when you said that meryl lee evers and others were wondering, what is this white dude trying to do. one of the things that our students are thinking about here and we are having them think consciously about is their position in stories and their identities in the intersection of their identities and the power they possess, regardless of what those identities are, and how that can affect the storytelling and the ways that they can even approach people or do approach people. i wonder if you could talk a little bit about your position as a white journalist, a white man journalist writing the stories and how that came into play while you are doing this work. jerry: on one hand, it

the dutch artist has to be one of the greatest painters who ever lived and the rights museum in amsterdam has the biggest collection of his works in the world now to celebrate the three hundred fiftieth anniversary of his death the museum has for the very first time put on display their entire collection which includes of course some of the most famous rembrandt paintings of all. let's go forward march this captain seems to be calling to the men of amsterdam civil defense and the group reaches for their muskets this painting is like a stop shot capturing the dynamic of men about to mobilize it's the most famous picture in amsterdam strikes museum the night watch by them pound from a fine. rubber of. a genius i mean. here's one of the few artist in even with the many painters at work in the docks republicans have to turn tricks who can grasp you if you look at his paintings or look at it and chinks they pull you in. rembrandt young and wild highly talented he played with light and shadow in this self portrait painting each individual hair. at the age of twenty two he settled in amsterdam a

the dutch artist has to be one of the greatest painters who haven't lived and the rights museum in amsterdam has the biggest collection of his works in the world now to celebrate the three hundred fiftieth anniversary of his death the museum has for the very first time put on display the entire collection which includes of course some of the most famous rembrandt paintings of all. let's go forward march this captain seems to be calling to the men of amsterdam civil defense and the group reaches for their muskets this painting is like a snapshot capturing the dynamic of men about to mobilize it's the most famous picture in amsterdam thanks museum the night watch by them kind from a fine remember. a genius i mean. he is one of the few artist in even with them.

the dutch artist has to be one of the greatest painters who ever lived and the rights museum in amsterdam has the biggest collection of his works in the world now to celebrate the three hundred fiftieth anniversary of his death the museum has for the very first time put on display their entire collection which includes of course some of the most famous rembrandt paintings of all. let's go forward march this captain seems to be calling to the men of amsterdam civil defense and the group reaches for their muskets this painting is like a stop shot capturing the dynamic of men about to mobilize it's the most famous picture in amsterdam strikes museum the night watch by them kind from a fine. ramberg is a genius i mean. he is one of the few artist even with the.

now that i know about the civil rights museum that has been created and is growing every that museumdid embrace are as a civil rights mover? prof. giddings: i am pretty sure. i do not remember specifically about the museum, but i think she is at least mentioned. whether she has given her dues is another question. there is a marker dedicated to on beale street. there is lots of talk. part called bedford forrest park. he was a horrible confederate mowed down just blacks. -- there is a movement to rename that. >> you are getting ready to start something. [laughter] look at what some of us could do in memphis. when i spoke in memphis the last time, there was a class of six-year-olds from the ida wells academy. they had the banner, ida wells. it, i wouldalize have helped them out because they were holding it for so long. [laughter] prof. giddings: with their little hands. it was a really good sign. excellent research. i think it is absolutely fantastic to know about her and her life. prof. giddings: wait a minute, i cannot see you. >> over here. prof. giddings: ok, thanks. one of the things

, did that museum embrace her as a civil rights leader mover -- mover? prof. giddings: i am pretty sure. i do not remember specifically about the museum, but i think she is at least mentioned. but whether she has given her dues is another question. there is a marker dedicated to ida in memphis on beale street. but there needs to be more. there is lots of talk, there is called bedford forrest park. he was a horrible confederate soldier who just mowed down blacks. and so they said -- there is a movement to rename that. >> you are getting ready to start something. [laughter] look at what some of us could do in memphis. prof. giddings: are you going to help me? >> yes! absolutely. prof. giddings: ok. when i spoke in memphis the last time, there was a class of six-year-olds from the ida wells academy. they had the banner, ida wells. academy. it,they -- i didn't realize they were kind of in the back, i would have helped them because they were holding it for so long as i was -- [laughter] with their little hands. but that's a good sign. i think. [laughter] >> hi

, that has been created and is growing every single day, did that museum embrace her as a civil rights mover? >> i'm pretty sure, i don't remember specifically, about the museum, but i think, she's at least mentioned, i believe, whether she's given her do is another question. there's a marker dedicated to either, in memphis, on beale street. but there needs to be more, there's talk of, there's a forest called the bedford, there's a park bedford forrest park, he was a horrible confederate soldier, who just mowed down blacks, so they said, the movement to rename that, >> so you could really start something. here. and some of us could do in memphis. >> okay. okay. and there is, when i spoke in memphis the last time, there was a class of 6-year-olds, from the ida wells academy. and they had the banner, ida wells academy. i didn't realize, but they were in the back i didn't realize, they were holding it for so long as i was, with her little hands. you know? but that's a really good sign, i think. >> excellent research, that's fantastic, to know about her, her life. we know about her product

early to huge question and these the question of go home and said abruptly now and certainly no right museums it's pretty much all consuming issue so yes i mean it's the social media is based it's you know it is responsible for propagating streets and certainly for fanny the flames of division and hateful rhetoric through experiences of live stream video for example but then by the same token it's also the cause of enormous you know positivity for example today i believe in briston in the northern part of strangely there was a vigil held outside a mosque. to to embrace what happened or to other to mourn the loss of last easy art and still many people want to attend but couldn't so they they live streaming the service. which is kind of ironic in india what has happened yet it was considered to be a viable way of dissimulation situation because it was a it was understood to be a very positive thing to do so i think it can be weaponized to good or bad and that that is the nature of human beings they're going to they're there to do things either way how do you police that there is a far more crit

museum out of station 10. you didn't have a rite right to criticize our museum. it didn't come out right. my point was that san diego has such huge museum, so many historic vehicles in it. that's what i would like to see. i didn't want -- i've been good saying that -- [indiscernible] it would be nice to have dedicated face for -- space for 10 or 12 vehicles. i like to acknowledge kelly. she was fantastic. whenever you need to get some information, we have the secretary. we have to talk to chief liaison and kelly was always interest and information helping out the commissioners weekend, one time on a saturday night, she got gac tgac, back to me. i felt so bad. she was fantastic. we talk about the budget already. we want to be prepared. i'm prepared to meet with the supervisors. i'm sure commissioner peskin will be delighted to meet with me. that was it. thank you. >> president nakajo: thank you very much. vice president covington. >> vice president covington: th. i really would like to echo commissioner hardeman's statements regarding the art of fire event last saturday at the palace. we we

museum. we are reopening here in washington. a lot of what you are talking about we are in the middle of right now. i came from the museum of science and industry in chicago. i know with the museum community is like. moving to washington, i noticed your team at the african-american museum is really collaborative and fast-moving, and all the things museums strive to be. i am curious how you developed a culture in a way which would move quickly and could be collaborative. mr. bunch: in a way, when i took this job, i agreed to come back in march. but i had to finish a major exhibition which looked at the 50th anniversary of the murder of emmett till in chicago. first of all, being a lame duck was horrible. months toe me four look at the vision for what this museum would be. since i was starting from scratch, what did i believe a good museum would be. theme, collaboration was at heart of what the museum would be. if the museum was successful just because it is on the mall, it has failed. if it was successful because it improve the work that was the done in chicago or los angeles, then we could really do

the demonstration that' followed sparked the gay rights movement. today the museum opensew a exhibit that takes a look at its lasting impact. news4's cory smith takes us inside and looks at how d.c. play l a role in thet rights over the years. >> reporter: the museum's rise up exhibit say coming out story itself, chronicle in celebration of the gay right movement and the people that had the courage to make it possib. christy oliver is the exhibit's director. the stonewall and riots serve as the starting move for rise up. thatiolent summer gave birth to the gay rights movement of the '70s,ts leaders like harvey milk are prominently featured th wughout. >> wt to tap into that personal connection. so this is why we focus people like frank. >> reporter: journalism also plays a role in the exhibit, from coverage of the aids epidem to a celebration of lgbtq publications like the washington blade, the oldest lgbt newspaper in the united states. >>hey really are aeader in getting out lgbtq news and talking about it. >> reporter: for oliver, the challenge was to curate an ex

he showed us examples around the museum, including one is almost complete, save for one thing. >> so this sculpture is original, except the right foot. >> reporter: and perhaps most dramatic, this frieze. so the darker stone ishe original and this white plaster that represents what's in the british museum >> yes. exactly. >> reporter: and here it is in the british museum. the missing marble head and chest floating in a display space. >> we feel also it's a symbolic act today to bring back this emblem of our world. to put it back together. >> reporter: if you bring back this emblem, aren't there untol otblems that need to be brought back? is this a slippery slope? >> we do not claim-- as greekdo state, wot claim other treasures.s we feel that t unique. this claim will never be abandoned by this country because we feel this is our duty. >> reporter:muut the british um's position is the marbles in its collection are legally theirs. they would, however, consider a loan. after all, the british museum regularly loans pieces from its collection to other mu around the world. >> i think we would certainlyer see being a great benefit in

right. tomorrow the museum opens an exhibit that looks at the lasting impact of those cory smith takes us inside. >> reporter: in many ways the museum's rise up exhibit is a coming out story itself.a chronicle and celebration of the gay rights moment. christy is the exhibit's creator. >> it was everyday americans who made it possible. >> the stone wall riots are a starng point. its leaders like harvey milk, barbara gidings are featured throughout. >> we want to play off people experiences they had and tap into that personal connection. this is why we focusn people. >> reporter: journalism also plays a role in the exhibit. from coverage of the aids epidemic to a celebration of lgbtq publications. >> they are a leader in getting out lgbtq news and talking about it in a cohesive way. >> reporter: for oliver the challenge was to put exhibit to speak to those who lived it and cameer a it. people like john lake, who was born two yearseforetone wall and married a few years befor gay marriage was legal nationwide. >> if it teaches us how far we'vet come, shows how far we have yet to go. >> reporter: if

poet and first senegalese president after independence for the museums origin asia he developed the concept of the congress of black rights us and not to say nine hundred fifty six what is just such as colonialism and slavery were discussed even though the museum was located in the exploration goes far beyond the museum wants to be a showcase of all. the first temporary exhibitions spend a range of topics from prehistoric cuts us to cuba and modern african out the widely and controversial debated question of the looted is not in the main focus of the correct us. consequently the biggest spaces in the museum dedicated to mold on black ops in cooperation with the head land that by any other contemporary cuban artist also sold their works. thanks to all the laureates of the contemporary art fair act i represent it by using. only the living only one small room tucked away in a corner on the ground floor is reserved for traditional african art and there's no intention to. that. is a pond is that things have been stolen africans are not going to ask to strip european museums with their works there that are perhaps a very valuab

bootys and they are like $20 so comfortable >> i always feel like i'm walking through the museum right free to touch anything. all right. wells fargo ceo tim sloan stepping down after 30 years at the bank it was a surprise move yesterday evening. sloan said in a statement i have decided it's best for the company that i step aside. the stock actually popped on this news initially. now moving lower today a downgrade this morning there's some talk about what this transition to a general counsel who only has been there for a couple of years will look like >> they need to hurry up and get a new leader at the helm this was the beating by elizabeth warren saying he's too closely associated with this bank we don't know how involved he's been in this decision make he can't efficiently change this brand. i'll tell you the other big banks, though, who have high value top executives better build a wall around them because you know they are going start trying to poach some of these top leaders. >> he had to go. he's a nice man. we interviewed him for years he came to symbolize the scandal era that

of the genesis for example stalls of her herero and are in various museums including museums here in new york all right the german government claims that namibia is one of the oil is the recipient off one of the highest amounts of their aid maybe add recently we've heard the german government talking about further investing in areas in which their own people and now most people in this is that in itself not a form of compensation. not really foreign it is it is great i'm sure it's fine for namibia in general but traditionally foreign aid and resources have not gone to the traditional herero unama areas and the herero unama many of them who are driven out of namibia are in botswana south africa the us and elsewhere ideas slee they would not be receiving any benefit right my last question to you is what are the next what is the next naval avenue for your clients. we filed in the us second circuit court of appeals and we are briefing that and we hope to get a reversal of that but in addition we have claims and petitions pending in at least two u.n. committees that this particular point and we're pursuing

matthew murray but that's right for us i think. paris live rock museum a center bracing thirty years since its iconic last permit was built to mark the occasion the museum has invited the french straight off just only as jr to reimagine the pyramids on a grand scale. the louvre about to be transformed. hundreds of volunteers pasting files of strips of paper to the floor for three full days. they're marking the thirtieth birthday of the louvres famous gloss pyramid and they're putting together an art work by french artist jr who's creating an optical illusion. well. why why not why not reinvent and rethink places why not wake up in your own city and allow yourself to reinvent and rethink it to look at it in a different way and growing up in the suburbs i always try to see pars differently not like everybody else climb onto rooftops and go into tunnels and to be able to see a monument like this today and rethink it reinvented as an artist is that modernist that utopia which allows you to move forward and take people along with you. and this the pyramid ris

or you can visit us on twitter and facebook @acw museum, at each of those sites. i know. right? yes, learn more about us. again, the grand opening will be 4, 2019.rday, may it will be quite an experience. for all of you present with us today, get ready for your sneak peek. see you over there shortly. thanks so much for coming out! [applause] announcer: this concludes today's live coverage at the library of virginia, cohosted by the university center for civil war history. it will re-air march 18 at 8:00 p.m. eastern on c-span three. you can watch every program we feature, including the symposium, on our website, c-span.org/history. for those of you who like to learn more about civil war, tune in every saturday at 6:00 p.m. eastern for our series on the people and events that shaped the war and reconstruction. announcer: next, meg jacobs talks about her book "panic at the pump: the energy crisis and the transformation of american politics in the 1970s." she describes the impact of the 1973 and 1974 oil embargo against the united states imposed by opec. this was

it will provide rides up to $10 to places connected to women's rights, struggles and achievements. that includes monuments, museumsand more. you have to use a special code which you can find on the lyft app. it runs through the end of the month. >>> a world famous pianist had a mishap with a piano while trying to tackle san francisco's steep terrain. >> ♪ >> david is originally from germany. he's been towing a piano with a bicycle for performances. the brakes on his tiny bike gave way and he lost control. his bike, piano and bench got damaged. he was determined to play at san francisco's pier 35 last night. david turned to a piano store in berkeley to get help. >> all i can see is passion. >> a free piano. >> i love all the piano in the world. >> the only thing left that needs fixing is david's electric bicycle. for now, he'll be using his minivan and trailer to transport his piano. >>> san francisco is tricky that way. >> yeah. i'm glad -- yeah. that's unfortunate. >> i hope someone helps him with his bike, too. guys, let's talk about -- you think bikes, you think of little kids. little league starts tomorrow. a

this is the national czech museum and library lice because there's such a focus of czech ethnic history right here in the united states in cedar rapids this was kind of renovated first in the 1970's because new bohemia was the older bohemia area, little more rundown because the slaughter house was still operating until 1990. this was more early to mid 20th century architecture. a continued the pattern of bohemian commercial neighborhood that got its start on the east side of the river. we are passing through the neighborhood for the wright brothers lived. they lived in cedar rapids. they traveled with her father. they had a home in the library parking lot is. their father was assigned to cedar rapids to orval was 8-years-old and wilbur was 11-years-old. they lived in this neighborhood in downtown cedar rapids, they lived in three different homes. we have documented where those places where. ony went to an old-school the side where the public library is now. oroville wright wrote that when they were children living in cedar rapids their father brought home a flying toy and inspired them to sta

right. >> i would support moving confederate celebrations from federal lands and putting them in museums where. that's right. thank you. >> let me follow up if i can because mississippi is the only state in the country that still has the confederate battle emblem on the state flag. do you think mississippi should adopt a new flag? >> yes. >> that was the shortest answer i've ever gotten from a politician in my life. we'll be right back with more with senator elizabeth warren. >> all right. with advil liqui-gels, what stiff joints? what bad back? advil is... relief that's fast. strength that lasts. you'll ask... what pain? with advil liqui-gels. little things can be a big deal. that's why there's otezla. otezla is not a cream. it's a pill that treats plaque psoriasis differently. with otezla, 75% clearer skin is achievable. don't use if you're allergic to otezla. it may cause severe diarrhea, nausea, or vomiting. otezla is associated with an increased risk of depression. tell your doctor if you have a history of depression or suicidal thoughts or if these feelings develop. some people taking ot

this is the national czech museum and library lice because there's such a focus of czech ethnic history right here in cedar rapids. czech village. this was a renovated first in the 1970's. new bohemia was seen as the older bohemia area. a little more run down because the slaughterhouse was still operating until 1990. this is early to mid 20th century architecture. and continued the pattern of bohemian commercial neighborhood that got it start on the east side of the river. we are passing through the neighborhood where the famous right brothers lived. ashley: they lived here? mark: they lived here. they traveled with their father. their father was a bishop in a church. he was assigned to cedar rapids for eight years. orville was eight years old and wilbur was 11 years old. they lived in this neighborhood in downtown cedar rapids, they lived in three different homes. we have documented where those places where. -- where those places where. they went to an old school that stood on the site where the public library is right now, and orville wright wrote that when they were children living in ceda

and the museum is located up here on the third floor. right upbarton's room here, is where she lived when she was in the missing soldiers office, during the civil war and immediately after the conflict. the museum is now operated, has a unique partnership between three entities. the building actually is owned by a private developer in washington. they own essentially this block here, as well as condos were built on the site. you can actually see in this image. up here andre right because clara barton lived on this block, they called them the barton apartments. so the building actually is owned by a private developer. the general services administration has a preservation easement on the first and third floor spaces. so we can operate a museum. organization, the national museum of civil war medicine, has an agreement with servicesal administration to operate a museum on the site. visit theu come to clara barton missing soldiers office museum, you will be with and seeing -- working with national museum of war medicine personnel, volunteers, and

where we are right now, we are at the storage facility for the museum, so we house all of the three-dimensional materials that relate as part of our collection. we have approximately 75,000 artifacts in the collection, in this personal collection. that can run from the smallest piece of insignia to a tank. it is quite a variety of materials that we have here. we pull out a few world war i materials. all of them are identified to a soldier. that has been our ission here. the very first piece, we have - it is known as a jerkin. once americans got over to france, we also took a liking to them. it is a vest that has leather on the outside. on the nside is blanket material. that is the lining. a pretty simple piece of the uniform. this one was worn by a soldier by the name of noel. they were using french maid takes. -- tanks. what the dragons were being used for, they proved -- jerkins were being used for, they provided extra warmth to the body but allowed extra movement for the arms. the helmet is actually a german helmet. it was picked up by a soldier by the name of alfred swanson. he was a medic

fabricated by the newport building which is right down the street from the mariners museum. the first time out there, they have to fit this underneath the turret. be jacked ups to on the bottom and then have this plate under her, and then we have to bring this -- of these arms go out like this. you are doing this in 235 feet of water. how may have been off of cape hatteras before? is it happy water? no. [laughter] i had to go out there one time and they said, you better take your dramamine. i said, they probably know what they are talking about. thank goodness, because it is where two currents meet. labrador and the gulfstream. they had to fit that under and then they had to have the right weather conditions to bring this thing up and it was an amazing thing -- sight to see. once you get it up, what are you going to do with it? the big problem, you have several different materials that are on the monitor. just, the 11 inch dalgrens themselves, they are cast-iron which is a different party -- property of dissolution when it is under salt water. gravitiies -- it zes, so this h

on the aircraft itself, and then in order to build a permanent home and museum for the aircraft, about $3 million. >> that's rightey lady as the centerpiece of a museum dedicated to the legacy of world war ii heroes. in fact, they've already created a temporary one here on site. >> we're still a little bit grassroots, but last year we had over 15,000 visitors. >> what is your hope for the restoration? >> i fully expect to see it flying around our country, telling the story of our country and the sacrifices of our veterans. hopefully i'm still around when that is completed. >> a legendary war plane helps preserve freedom, becomes the icon for a small-town business, and is now inspiring americans once again. what's dad thinking? >> i talk to my dad every day, and it's so important to him and to our whole family that this happen. it was a dream of his, and we've carried it on, and it's coming along beautifully. >> since it may be a while before punky and her family get their b-17 airworthy, we thought we'd leave you with a look at another one of the dozen or so b-17s still flying. in june 2016, a dozen world war ii