for an audition, there were a lot of auditions, the last audition was with nikita mikhalkov, and rizanovou can send me a telegram, and i went up to ... well, there was no heroine with a long braid, a valaoka, the one who cried there, no, i was from another trade union, so ryazanov taught me to walk, wear a dress, hold my back, and from ryazanov you generally have what, it was good to work with him, when you are from the orenburg region, next to you are alisa frendlikh, nikita mikhalkov, proskurin, well, by the way, to a lesser extent, because he was not as old as it seemed to me, lyudmila gurchenko, who starred in this film. he will be very glad that i listened to him. ranevskaya, tomorrow, after the program, we’ll take her back. mulya, don't make me nervous it's going to be hot, what? where, when the summer series of games, on sunday on the first, well , the film came out, glory fell upon you, that is , you have already gone through fire and water, apparently, these were copper troves there was no, because criticism, no, criticism destroyed me, well , never mind this criticism, i rememb

moscow for auditions, there were many auditions, the last audition was with nikita mikhalkov and rizanovilm, i don’t think so, that the art council will argue with me, i arrived, i arrived in st. petersburg, there was a call, they told me that you were approved, i said, they won’t believe me, yes, because... it was already graduation, i said, but you can send me a telegram, and i went up to petrov and said: “vladimir viktorovich, in general, i was the same, they cast me as the undevoted krizanova, he thought that i was delusional, because i was not at all ogudalovo, right from the word at all, well, there was no heroine with a long braid, a valaoka, like that, who was crying there, no, i was from another trade union, so ryazanov taught me to walk, wear a dress, hold back. and from ryazanov you generally have what, it was good to work with him, when you are from the orenburg region, next to you are alisa frendlikh, nikita mikhalkov, proskurin, well, by the way, you see, to a lesser extent, because he was not that old , as it seemed to me, lyudmila gurchenko, who starred in this film, beca

received this as a gift, because - when the director gives the opportunity to try and improvise, and rizanovin general, i’ve heard about him, you can’t argue with him, if he decides something, he won’t budge, you’ve had to argue with him, persuaded him, it’s happened, there was a victory, because that eldar sanovich could hear, that used to be a very expensive film was there, they filmed it, then everyone who was filming went, as he says, to watch the videocon. and if someone suggested something, here, if it were so, he said, let’s film it like this, despite the fact that he was a very stubborn person, but a great screenwriter and director, but he always heard, heard. still, but, but there were moments when he got irritated, when he could argue with you, say, no, that’s it, he really loved liechka khidzhakova, if she forgot the text, it’s okay, but if i do, go learn the text , i forgot the word, so he was with me strict, but in my favorite role of an ophthalmologist, he was against me wearing glasses, because the actress also had glasses, but it was, this is what i call the role. yes, i met

dreamed of going, in these interiors, unsophisticated for today, one could meet vysotsky smaktunovsky, rizanov here they were fed tartlets with chicken pate, sandwiches with stellate sturgeon dumplings, unprecedented for moscow at that time. i’m a genius, and the other star said, no, you, the next star, of course, hit first, and of course, all of moscow was rushing to the cinema house for showings of moscow cinema. festival, another chance to see foreign films on the big screen films in fillini and bertolucci, andrzej wajda and fastbinder might not have existed. this panel, known throughout the cinema world, was given to her friend the minister of culture ekaterina furtseva, the widow of the famous french artist fernanand léger, nadezhda hadasevich, whoever posed against its background, from bertoluchie and mastroiania to belmando and lalabarigida. today , the guild of actors and stuntmen work in the cinema house, and they still organize events here. the inauguration ceremony of the president of the russian federation, vladimir vladimirovich putin. straight broadcast. may 7 at 12:00 moscow tim

of going, in these interiors, unsophisticated for today, one could meet vysotsky from maktunovsky, rizanovy were fed tartlets here that were unprecedented for moscow at that time... i rushed to the cinema house for screenings at the moscow film festival, another chance to see foreign films on the big screen in fillini and bertolucci, andrzej wajda and fassbinder might not have existed. this panel, known to the entire film world , was given to her friend the minister of culture ekaterina furtseva, the widow of the famous french artist fernanand léger, nadezhda khadoseevich, who only posed against its background from bertolucie and mastroianie to belmando and lalabarzhida. today , the actors' guild works in the cinema house. seminars, film anniversaries and premieres of young filmmakers are still held here. it was in this hall that our two main premieres took place, the film man of labor and the film i mother. are you the director of these films? i am a director and producer. this is not just a legendary place, it is a place of worship. this is a great happiness for a filmmaker to show on th