. >> did you codirect this with rob marshall? rob arrived with the broadway production and it needed a healthy dose of proper choreography and showbiz. >> the man who did "chicago" does that. >> there are certain similarities as well. the sense in which the numbers in chicago occupy a territory of fantasy which is the nightclub which is not dissimilar to the nightclub in cabaret. >> now talk about king lear. which is in production as we speak. >> there is a lot to talk about. >> i want your production and why he is right person to do king lear for you. >> the people we are talking about, alan and simon, this is the ninth play. we graduated from richard iii and right through to king lear. it was a relationship we would arrive at. which is seen currently or incorrectly as a sort of pinnacle. i am not a fan of the word pinnacle and peak. people talk about lear being this mountain to climb. it is the most extraordinary frightening and violent play. i found it incredibly wonderful to work on. i think the production, it is a very coher

. >> charlie: did you co-direct this with rob marshall? >> rob arrived with the broadway production in 1987 and need add healthy dose of proper choreography and sho showbiz and clarity. >> charlie: rob with chicago knows how to do that. >> right. and there are certain similarities. there's the sense in which the numbers in chicago, you know, occupy fantasy, a territory of fantasy which is a nightclub, not dissimilar to the nightclub in "cabaret." it fed us in various directions. >> charlie: talk about king leer which is in production as we speak. >> well, there's a lot to talk about. >> charlie: i want your production and why he is the right person to do leer for you. >> well, i've had a relationship with simon. i've done nine plays with simon. this is the ninth play. we graduated from richard iii to yargo and played right through to king leer and it was a relationship that ultimately would arrive at leer which is seen as a pinnacle. i'm not a big fan of pinnacle and peak and people talk about leer as being a mountain to climb but it is the

joe vazquez on how they nabbed the bank robbing babe in the bay area. >> the u.s. marshals service is searching for her. >> reporter: she has been on the run for three years. neisha jackson nicknamed the bank robbing babe was recently featured on a national tv show called american greed the fugitive. >> the prosecutors say in truth jackson was the brains behind the scheme. >> reporter: but now the 34- year-old wanted for bank fraud is in jail and speaking out. >> the show american greed named me bank robbing babe, they don't do that to nobody hardly. >> reporter: she says she is innocent and she was set up but authorities say she was actually one of the masterminds of a credit card they want ring that stole between one and two million dollars. in march of 2010, she pleaded guilty to the charges. >> i had no choice to plead guilty or go to trial. i wasn't going to go to trial. go to trial you going to get more time. >> reporter: but she never served time. she ran away before sentencing. >> i was scared. i had a lot of stuff going on at that time. i had chest pains. they didn

doing a show called the rome robbins broadway in new york won a tony for it people like gary marshall and rob reiner had come to see the show. gary marshall put me in pretty woman now rob reiner's company is the producer of seinfeld they can't find george and gary says to rob i think there's a god i showed him showed in a thing he's very funny you should look at him so they put me on tape in new york i had no script i had three pages from the pilot script i didn't know what i was you know jerry i didn't know joe i mean i've seen jerry perform and i don't know and i not knowing what this is i thought it seems like a woody allen movie seems very woody allen so i went out i got the glasses i did very blatant woody allen impression and i put it on tape and i figured i'll never hear from these guys again and then they called me out to l.a. and said come out and well in essence you were the larry david character do you think i was what turned george is in essence the alter ego of larry david i didn't know that going in it wasn't until several episodes in that i started to piece that together and th

marshalling this bill. some tweaking was done and i will be forever grateful to my friend, rob woodall, who is brilliant as his predecessor, dear friend, john linder, and he took this bill and he marshalled it through. he kept his word and i will be forever grateful for that. it came to the floor. and the senate wouldn't take it up. for those that want to talk about the children, i'm not hearing a lot of that talk today. because when i talk to college students, high school students, junior high students, they're wondering why they're going to have to pay the debts that we were not responsible enough to pay ourselves. there's not a good answer. it is absolutely immoralable. it's neglect. to say one generation like ours is so much more important that e have to spend future generations' money. and yes, if there's inflation, let's deal with it that year. but i've heard enough stories people talking about, gee, this important -- this department is apparently out there saying, spend their money. don't leave any. if you don't you won't get much next year. they get an automatic increase. of course they spend their