robert eames is a conductor— console. robert eames is a conductor and _ console.console. robert eames is a| conductor and arranger that console. robert eames is a - conductor and arranger that has worked on film scores and who has conducted previous proms based on experimental electronic music and sci—fi music. he takes a journey through the 80s, pokemon, all the way up to battlefield 2042. in order to recreate the sounds and feelings of these games, some of which are merged through tiny, tinny speakers, he has augmented the traditional orchestral make up slightly. you have an electronically expanded orchestra. can you show me the expansion? i orchestra. can you show me the mansion?— expansion? i can. it is not a lane expansion? i can. it is not a large expansion. _ expansion? i can. it is not a large expansion. it - expansion? i can. it is not a large expansion. it is - expansion? i can. it is not a i large expansion. it is quality, not quantity. _ large expansion. it is quality, not quantity, that _ large expansion. it is quality, not quantity, that is - not qua

robert eames is a conductor and arranger who's worked on film scores and who's conducted previous promsl electronic music and sci—fi movies. he's helped to curate the choise of music here, which is a journey through the �*80s, through pokemon, final fantasy viii, shadow of the colossus, and all the way up to battlefield 2042. and in order to recreate the sounds and feelings of these games, some of which emerged through tiny, tinny speakers on the zx spectrum, he's augmented the traditional orchestral make up ever so slightly. you have an electronically expanded orchestra. can you show me your electronic expansion? yeah, ican. ican. it's not a large expansion. well, you know, it's quality, not quantity, that's important. so this is spectrum sound, basically. so it's loaded with actual zx spectrum sounds? yeah, yeah, absolutely. the main expansion, i would say, is finding super creative ways to make the electronic sound acoustic. i thought this was just a kind of stress reliever when i saw it, but... yeah, they're awesome, aren't they? this is white noise, basically. the sound of that wil

robert eames is a conductor and arranger who's worked on film scores and who's conducted previous promselectronic music and sci—fi movies. he's helped to curate the choise of music here, which is a journey through the �*80s, through pokemon, final fantasy viii, shadow of the colossus, and all the way up to battlefield 2042. and in order to recreate the sounds and feelings of these games, some of which emerged through tiny, tinny speakers on the zx spectrum, he's augmented the traditional orchestral make up ever so slightly. you have an electronically expanded orchestra. can you show me your electronic expansion? yeah, ican. ican. it's not a large expansion. well, you know, it's quality, not quantity, that's important. so this is — this is- spectrum sound, basically. so it's loaded with actual zx spectrum sounds? i yeah. absolutely. the main expansion, - i would say, is finding super creative ways to make - the electronic sound acoustic. i thought this was just a kind of stress reliever when i saw it, but... yeah. they're awesome, aren't they? this is white noise, basically. the sound of

robert eames is a conductor and arranger who's worked on film scores and who's conducted previous promsknow, its quality, not quantity, that's important. so this is — this is spectrum sound, basically. so it's loaded with actual zx spectrum sounds? yeah. absolutely. the main expansion, i would say, is finding super creative ways to make the electronic sound acoustic. i thought this was just a kind of stress reliever when i saw it, but... yeah. they're awesome, aren't they? high pitched noise this is white noise, basically. bag crinkles the sound of that will be coming through, you know, a massive array of speakers, so you get this — this lovely crinkly sound. do you have to tune this before you go on? no. a lot of modern videogames come with ready—made orchestral scores — that is the music that you hear in the game. but when you think about it, if you're trying to adapt music from a 19805 computer game, you're basically talking about taking beeps and boops — that's all it is, just single notes — and somehow adapting it and turning it into something that can be played by an orchestra thi