this was very important for not only for everything, for the story of robert moses. i knew he started out as an idealist and a key part of his idealism. he would never deal with politicians they would never give him inside information. but it turned to something very different. now it seemed this is the place that he had turned so i needed to be able to prove it. of course i did. i can't remember the details but i looked in the county clerk's office under the name of the secretary of not the president but the secretary of the newly for one corporation and there was a number of politicians and stockholders and found the proof that i needed. it was the key proof to the great transformation of robert moses and in a way to the start of what transformed the whole landscape and that we lived in every sense. so that discovery is more precise. the key to the discovery how to find the records is the key to the book and the key to the discovery with bob greene's exacerbated remark to the young reporter that was me in the newspaper city room was a key to a work of history. but

. >> anthony: robert moses has been dead over 30 years now.ight through dozens of working-class neighborhoods, seemingly uncaring about the destruction of whole communities. massive housing projects conceived as utopian solutions to stacking the poor into centralized vertical ghettos were also his bright idea. he did leave some pretty impressive damn works behind, though, like the triborough bridge, flushing meadows park, the verrazano bridge -- eh. the bronx happens to be the home of the two largest parks in new york city -- pelham bay and van cortlandt, and you see stuff here you probably ain't seeing in central park. the garifuna come from honduras, guatemala, and belize, and they trace their ethnic group back to a single slave ship that crashed off st. vincent, and whose freed africans then mixed with carib-indians. where is home for many of the garifuna community living in the u.s.? you guessed it, the bronx. >> baron ambrosia: living in the bronx you're able to, kind of, travel the world without leaving the borough. >> anthony: right. >>

and i thought yes, that's the 3rd act of moses and our death answered robert was waiting for the echoes of the footsteps across a void. and that's the physician. and the transfiguration of architecture as well. ah, let me yorba hurt. and when you listened to the opera, you noticed that the singing voices of aaron and moses as the 2 main parts are very different. aaron sings in, coloratura is with very wavy lines. while moses, almost exclusively speaks, was almost without intonation mark life. so moses stands for constant speech, though uncommon. done is in tucson. now when we look at the building, the interesting thing is that there's an order to the rooms along the length of which at the end there also the museum rooms. while an empty line, the line of the voids seems to cut through the building again and again like a zigzag sardina mavita. so schneider, chime and inch turned on and empty places are created vertically at these spots all throughout the entire building. so if we compare the opera, moses and aaron, we can say one line represents the museum, a kind of aaron line oft, while