he's rod stewart. looks like rod stewart's bitter older brother? who's she? kylie. kylie minogue?!ar a name badge. is that george michael? he's amazing. apparently he can sing as well. george michael is bleep dead. i think the agencyjust sent anyone they had on the books. they should have put the ghost of george michael. you laughed all the way through that. lots of very cheesy jokes, but they did make me laugh. so steve coogan, who i'm a big fan of, directed by michael winterbottom. they have worked together before and done some very interesting films. on the one hand, this revels in the grotesquerie of the millionaire life. on the other hand, it's aiming at a wider target, which is how is it that all this wealth is produced? who are they workers that are being exploited? that's very important for his part of the story. originally, i think, sacha baron cohen was earmarked to play the central character, and you can imagine him playing it a lot more grotesquely. the thing i like about steve coogan's portrayal is that he's very good at playing characters who are essentially utterly k

he's rod stewart. looks like rod stewart's bitter older brother? who's she? kylie. kylie minogue?!l have to wear a name badge. is that george michael? he's amazing. apparently he can sing as well. george michael is bleep dead. i think the agencyjust sent anyone they had on the books. they should have put the ghost of george michael. ourdrinks are not our drinks are not free for him at. you laughed all the way through that. lots of very cheesy jokes, but they did make me laugh. so steve coogan, who i'm a big fan of, directed by michael winterbottom. they have worked together before and done some very interesting films. of the millionaire yachting life. on the other hand, it's aiming at a wider target, which is how is it that all this wealth is produced? who are the workers that are being exploited in orderfor this who are the workers that are being exploited in order for this to who are the workers that are being exploited in orderfor this to be like this? that's very important for his part of the story. originally, i think, sacha baron cohen was earmarked to play the central charac

is that rod stewart's bit her older brother? is that george michael? he's amazing.l is dead! lots of very cheesy jokes amazing. george michael is dead! lots of very cheesyjokes but amazing. george michael is dead! lots of very cheesy jokes but they did make me laugh. steve coogan, on the one hand this revels in the grotesquely of the millionaire life on the other hand, it's aiming at a wider target which is how is it that all this wealth is produced? that's very important for his part of the story. sasha baron caro and was marched to play the central world and you can imagine him playing it a lot more grotesque. the thing i like about steve coogan‘s portrayal is that he's very good at playing characters who are essentially, utterly kind of creepy and unlovable but playing them in a way which makes their company bearable for the course of the movie. for me, i think steve coogan was pretty good. i think sometimes there is a disparity between the very broad stroke comedy of the film itself and the attempts to deal with more serious subject matter such as refugees. you

he's rod stewart. looks like rod stewart's bitter older brother? who's that? kylie.eesy jokes, but they did make me laugh. so steve coogan, who i'm a big fan of, directed by michael winterbottom. on the one hand, this revels in the grotesquerie of the millionaire life. on the other hand, it's aiming at a wider target, which is how is it that all this wealth is produced? that's very important for his part of the story. originally, sacha baron cohen was earmarked to play the central character, and you can imagine him playing it a lot more grotesquely. the thing i like about steve coogan‘s portrayal is that he's very good at playing characters who are essentially utterly kind of creepy and unlovable, but playing them in a way which actually makes their company bearable for the course of the movie. so for me, i think steve coogan was pretty good. i think sometimes there's a disparity between the very broad—strokes comedy of the film itself and the attempts to deal with more serious subject matter, such as refugees, such as worker exploitation. i was wondering how that wo

stormzy, lizzo, billie eilish and sir rod stewart are all due to perform.he red carpet at the o2 in east london. hello, yes, lots of stars already arriving. there is the rock band nominated for a group of the year up against coldplay and it is the 40th brit awards and its the mistakes people have enjoyed, like when jarvis cocker invaded the stage when michaeljackson was performing under mick fleetwood and samantha fox as presenters and madonna being pulled down the stairs due to malfunctioning cape. whatever organisers say, we hope something makes headlines tonight. is what could happen. the brit awards have thrown up many memorable moments and showcase some of the biggest names in british music, from the spice girls. # no, no, no to amy winehouse and stormzy calling prime minister theresa may a criminal on live tv. hey, theresa may, where is the money for grenville? tv viewing figures might not be what they were in the 80s or 90s, but those on the red carpet insist this is a hugely important night for the music industry in britain. internationally, it does

rod stewart and ronnie wood were in the house but i think stormzy stole the show to notice that he hadjust so stole the show tonight. it was just so euphoric and you had the whole room and he had the whole room in his hands. and he talked about how there weren't enough women in the nominations and gave a huge amount of credit into his own team of female producers. he did. he named all the women he would not have net. the best album category and is group category had no female nominees. if you break down the winners tonight, three out of nine awards were won by women. so i think the brits have come underfire, women. so i think the brits have come under fire, there women. so i think the brits have come underfire, there is more they can do to make it more equal, equal representation of women. but souls picked up best group and they said hopefully there will be more women in the next category. the brits has come underfire in the next category. the brits has come under fire for a in the next category. the brits has come underfire for a lack in the next category. the brits has come under fir

. ♪ >> after years of singing backup for such stars as michael jackson and rod stewart, she explodedeen so long in coming playing female artists. so, it's definitely a different sort of environment and attitude now. ♪ if it makes you happy >> female artists like sheryl crow or liz phair, even though they had success they were still routinely marginalized within every aspect of the industry. there was not a lot of space in pop culture for a young woman's thoughts, feelings, voices, to be respected or taken seriously. ♪ i'm just a girl >> there was such a strange dichotomy to gwen stefani, super girlie but then also kind of tough. and then in front of this band of all guys. ♪ that's all that you'll let me be ♪ >> i'm just a girl in the world and that's all that you'll let me be. you know, it was like the middle finger up to every guy that ever annoyed you. >> look who's here. alanis. >> hi. >> we ran into each other. >> we're shopping today. we thought we'd take you with us. and alanis is here with a brand-new album. a brand-new look i've noticed. >> yeah. >> i was dropped from mca rec

rod stewart. all famous, all rich, and all men.latest album hit the top of the charts in just one month. her style is defiant, raucous, tough and very sexy. ♪ we are young ♪ heartache to heartache we stand ♪ ♪ no promises, no demands >> it appears to me that the one on stage is what i would picture a modern woman to be, someone who is aggressive and soft at the same time, has a lot of strength and conviction and can look good and still have brains. >> you would think that in the era of music becoming a visual form more than ever that it would all be about objectification. but there were a lot of strong women on that video screen. ♪ >> meet the darlings of l.a.'s new music scene, the go-gos. ♪ see the people walking down the street ♪ >> unlike earlier girl groups such as the ronettes or the supremes, the go-gos write their own songs and play their own instruments. ♪ they got the beat ♪ they got the beat, they got the beat ♪ ♪ yeah, they got the beat >> that was as punk rock as it got for me, to see girls up there, you know, not just

he's rod stewart. looks like rod stewart's bitter older brother? who's she? kylie. kylie minogue?!he's amazing. apparently he can sing as well. george michael is bleep dead. i think the agencyjust sent anyone they had on the books. they should have put the ghost of george michael. you loved all the way through that. —— laughed. lots of very cheesy jokes, but they did make me laugh. so steve coogan, who i'm a big fan of, directed by michael winterbottom. they have worked together before and done some very interesting films. 0n the one hand, this revels in the grotesquerie of the millionaire life. 0n the other hand, it's aiming at a wider target, which is how is it that all this wealth is produced? that's very important for his part of the story. 0riginally, i think, sacha baron cohen was earmarked to play the central character, and you can imagine him playing it a lot more grotesquely. the thing i like about steve coogan's portrayal is that he's very good at playing characters who are essentially utterly kind of creepy and unlovable, but playing them in a way which actually makes th

he's rod stewart. looks like rod stewart's bitter older brother? who's that? kylie.p dead. lots of very cheesy jokes, but they did make me laugh. so steve coogan, who i'm a big fan of, directed by michael winterbottom. on the one hand, this revels in the grotesquerie of the millionaire life. on the other hand, it's aiming at a wider target, which is how is it that all this wealth is produced? that's very important for his part of the story. sacha baron cohen was earmarked to play the central character, and you can imagine him playing it a lot more grotesquely. the thing i like about steve coogan's portrayal is that he's very good at playing characters who are essentially utterly kind of creepy and unlovable, but playing them in a way which actually makes their company bearable for the course of the movie. so for me, i think steve coogan was pretty good. i think sometimes there's a disparity between the very broad—strokes comedy of the film itself and the attempts to deal with more serious subject matter, such as refugees, such as worker exploitation. i was wondering