to see the work that roger deakins does, to reflect -- i know there is an old lighting term.he does is mind-blowing. he makes you a better actor. >> like bergman, he is a brilliant dramatist. incredible filmmaker. unique and special and rare. it is all in the text. he will tell you when it is not working. he does not necessarily point you in the right direction. given that this is the guy who made "bananas," which way is this going to fall? this is absurd and hilarious. that he can be so serious. he walks the line between the absurd and the painful. >> can i ask you a question? if we are meeting for the first time on a train, would you find me attractive? >> of course. >> the main character of the movie, in a lot of ways, is time. you make a movie that spans 18 years. you watch people's relationship to romantic love. what it feels like in your early 20's to connect with a woman for the first time. as you are 30, it starts to get a little more complicated and a little more interesting. by the time you are in the middle of the road, it is actually a lot of things at one time. o

and the great roger deakins.is cinematography and "prisoners" has earned him his 11th nomination. -- theake john hall director and actor spoke about his masterpiece. >> i was deeply influenced by roger deakins. films like going back to school, an opportunity to work with a master. he is a kind of genius. >> as an actor and someone who loves film, being in his frame is an extraordinary lesson. he is obviously telling a story, as most great cinematographers are. to see the work that roger reflect -- i to know there is an old lending term. what he does is mind blowing. he makes you a better actor. >> like bergman, he is a brilliant dramatist. incredible filmmaker. unique and special and rare. it is all in the text. he will tell you when it is not working. he does not necessarily point you in the right direction. given that this is the guy who ise "bananas," which way this going to fall? this is absurd and hilarious. that he can be so serious. he walks the line between the absurd and the painful. >> can i ask you a q