then i would shade in all the big areas of dark, and take a pilot pen, like a cheap rollerball pen, and start doing all the little lines. one of the things i learned with that, it is better to make the wrong line confidently than the right line tentatively. people want to that confidence in your work. they want that sense of vitality. if you believe it, they believe it. you just do it as best you can with as much believe and rigor as you can and do it fast. brian: how many times have you been to guantanamo? molly: twice. i was on commission for "vice." i did twi features for "vice" and a number of other features. brian: here's some part of your story on gitmo. explain this. molly: guantanamo bay is one of the most censored places on earth to make images of. this is for what the military claims is operational security. if you are a photographer, you feel like you are playing twister. you can't take a photograph of anyone's face. you can't take a photograph of doors. you can't take a photograph of cameras. as an artist, i had an advantage. i could just draw around it. i gave the soldiers