my colleague denis morozov met with anna terikhova, for whom roman grigorievich became a godfather innd stars. anna terekhova knew roman grigorievich from childhood, her mother, margarita terekhova, was one of musviktyuk’s favorites, in his cult play the royal hunt at the theater named after. council margarta borisovna played the bookish tarakanova, her photograph together with the director was included in the recently published album, which anna dedicated to her mother. i thought about this album a long time ago, because we had a lot of photographs of my mother lying in drawers at home, and i wanted my mother’s beautiful face, her face somehow to turn into some beautiful album like this, so that it would be in someone’s house, so that it would be here, i’m happy that i gave this theater, well, roman grigorievich personally couldn’t give it to him, my mother, glory god, she was able to take... in her hands, although, well, she didn’t tell me anything, she doesn’t speak anymore, but from everything in her eyes, i realized that she also thanks me and is happy, at the age of 12, anya she

after my father's death. his office still looks as if roman grigorievich went out to the buffet for ahem, they did not fall out of his apartment, there is such a completely real story when viktyuk, without having his own theater , went. in all cities and placed everywhere where only they offered him and where he only knew how to ask for it, he staged many performances at the same time, and he did this, he finished the rehearsal, took off his jacket, hung it up, said: guys, you finish the rehearsal, and i’ll come soon, turned and ran to the station, he flew away or left, and this jacket remained hanging, a week later viktyuk came and said: well, you have rehearsed, let’s continue, the star of the viktyuk theater lyudmila pogorelova in this memorial office is ideal for the role of the viktyuk guide. she met back in 1986, at the ukrainian russian drama theater, where the fashionable moscow director viktyuk came to stage a play, as a result pogorely played in all three of his kiev productions. in dame beskameli i had a role in which i changed clothes every seven times. i was. such a house

to become the director... of roman viktyuk’s theater, because in his private theater company roman grigorievichose, in his theater there was such a situation that it was necessary to replace the director, and i was offered to become the director of roman viktyuk’s theater, but the director is not even an artistic director, and not the main one, well, it was impossible for viktyuk to become an artistic director, in principle this this is absolutely administrative work, there are papers, government procurement, i don’t know what else is there. a person who draws up these contracts himself, that is, you became on the other side of the barricades, did you realize this, no, to be honest, i didn’t realize any minutes, i was just so interested in it, and there was a feeling like, well, i can do it, it’s great, i can’t do it, no big deal, by the way, i had the same thing, i understood perfectly well that i was not a personnel official, and if i didn’t turn out to be a rector , well, it didn’t work out, of course, he wasn’t there before, neither the vice-rector, nor the head of the department, but he ju

plastic and scandalous... maids, the theater world exploded with cries of sensation, watching roman grigorievich's the great artist, which i took from him last summer during a tour, especially for this program. you and vektyuk are from ukraine, you are from kiev, he is from lvov, you talked and maybe joked in ukrainian, we always spoke, switched to language, and if we are in kiev , if we come here, then i speak ukrainian language, everyone is so amazed and it seems, and you know our language, i say, and after reading the abc book, i will never forget this legendary tour, when we came to kiev with performances, unique performances, um butterfly and... played in the october palace of culture, i go to the performance at 5:00, and i can’t get to the service entrance, because people are standing so close at 5 o’clock, i shouted to the guards, they pushed me with their elbows and did this corridor, they took my hand, they drag me, but i don’t drag, because i have a line of seven students behind me, they’re like that, i say, it’s with me, they’re like that, we beg, and we’re like that... look, so i somet

to become the director of roman viktyuk’s theater, because in his private theater company, roman grigorievichhat this is a life role, a life role, it’s so funny, well, kind of ridiculous, in my everything actress, if anything you were not easy. it’s okay, by the way, i had the same thing, i understood perfectly well that i was not a personnel official, and if i didn’t turn out to be a rector, well, well, it didn’t work out, of course, he wasn’t there before either as a vice-rector or as a head of the department. , yes, he just became, well , he became, it turned out, it turned out, that is, he you have a similar story, an absolutely similar story, yes, if you are how many, i’ve been working as a director for 11 years, a little older, that’s how i became the director of the roman viktyuk theater, you have your own office there, a secretary, no, i never have secretaries did not have. i have an office at the taganka theater, but it’s absolutely not a secretary, not a secretary, i don’t know how to try very hard, you know, not to turn into a manager, by the way, you and i are there, yes irina, al