roman ignatiev , who wrote to him in general, by the way, was a very difficult test.ch is maiden in the operetta theater, and therefore, and when we came from the second to karina, when the person had already splashed out. and that was one of the differences. i say there you wrote a musical, and we write to put. uh tool. you give yes, but i also start from the characters from the skaters. i need filling i must understand who i have, where and from this comes the factor here yes 20 uh times, i corresponded the script 20, because you then look at you last night showed that everything was fine in the morning. you read, and this one, and why is this here? a? and how to decide, and what is superfluous and where, uh? after all? still, i want to, well, everything, like that, especially there on karina there is so much and so much staging. naturally, i look, well, this is a lot of work, of course, i slow everyone down. i have been hurting my knees for six months. i don't give, that is, i like going on, i came up with the scene. i come to the composer i say. i need it very qui

eh, the composer roman ignatiev , who wrote for him in general, by the way, was a very difficult test. he wrote anna karenina for the musical, which is on at the operetta theater, and therefore and when we came from second kneel. and when the person has already splashed out. and that was one of the differences. i say there you wrote a musical. and we write classes. eh, you give the instruments, yes, but i also start from the character of the skaters. i don’t need filling, i have to understand who i have, where and from this it comes of no small importance, and the factor here yes, the artist, yes, yes, 20 uh times and corresponded, because you then look at you last night showed that everything was fine in the morning you count, but this one has taken it. why is this here? and how to decide, and what is superfluous? and where is already do you want? well, everything, here, especially there she is karina, well, so many performances. naturally, i watch, but this is a lot of work, of course, i slow everyone down. i kneel for six months. i tormented. i don't give, that is how it goes, i ca

uh, the composer roman ignatiev, who also wrote, by the way, was a very difficult test.cal, which is here in the operetta theater, and therefore, and when we came from the second to karenina, when the person had already splashed out. and that was one of the differences. i say there i wrote a musical. and we write classes. uh, you give leaders, yes, well, i i also start from the character of the figure skaters. no filling needed. i have to understand who i have, where and and from this comes an important one. uh, factor here. yeah, 20 uh times, i rewrote the script. i'm on my knees 20, because you then look at you last night showed that everything was fine in the morning. you read, and this one here came from. why is this here? a? and how to decide, and what is superfluous, and where , after all, you already want to, well, we pull everything out, there she is karina for so many productions. it's natural that i look, well it's big work, of course, i slow everyone down, knees for six months. i tormented. i don't give, that is how it goes, i came up with the scene. i come to