thank you this is a podcast of the creative industry and in the roman karmanov studio elena kiper and with the great soviet and russian writer sergey lukyanenko somewhere else they write, a psychiatrist, but seriously, well, that's right. yes, the former does not always exist. a big mystery is how a writer gives birth to such massive huge works. how is it all born? how are you? how do you nurture you compose? or they themselves come? for the most part, they do it themselves. in fact, i don’t think that the profession of a psychiatrist is very important here, doctors, of course, there are many among writers and among science fiction writers too, but there are dentists and surgeons here. this does not interfere, but in fact, a medical education, probably, gives some kind of plus. like anyone, teach education in general. with a systemic look at the world, and since childhood i loved science fiction and for me, as it were , the main favorite technique when i started writing was to bring some kind of unexpected into the world fantastic assumption, and only after one single assumption appea

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great cool projects to take place, which we will talk about in the creative industry podcast roman karmanovna or on kiper, our guest is people's artist of russia velikaya. oh, thank you for today's story. girls, i'd like to welcome you to the studio our podcast is a must-read. today. we will talk about tolstoy's novel anna karenina, i would be interested to talk about the modern view of karenina's plot. it seems to me that this is very interesting and therefore i called you, because it seems to me that you will be wonderful interlocutors in this particular topic, and ekaterina barbanyaga will write elle with the author. e books about tolstoy, and an expert on tolstoy elina is a greek art critic. big fan of the novel. we gathered as a women's team, because i i think that man e should not talk about this topic. she is very delicate. yes, we will talk today about adilter, after all, the novel is based on. therefore, i believe that it would be appropriate to talk about, let's say, the modern context of this situation with women. yes, we are all married or have been married. we have children. we

great cool projects to take place, which we will talk about in the creative industry podcast roman karmanovr our guest is people's artist of russia velikaya hmm thank you for today's conversation. hello, i'm larisa guzeeva, this is a podcast of letters. my guest today is the great galina konshina, the wonderful actress olga khokhlova, uh, we will talk about the fine ranevskaya about the greatest ranevskaya, both actresses play in the fain raevsky theater we play my play in different performances. i've been playing him for 10 years. just uh, it's a coincidence. and what about your paradisal gift in general? you could have done it, one to one, just like that, i don’t make thresholds for us. yes, i play, i play. she does not like this word, ranevskaya is my net. this is a very touching 86-year-old single-skinned woman who can no longer live in this world with her longing. i uh, remind the audience in some bits of uh action. remarks for her performances in order for her to be some recognizable, for example, there. well, what a beautiful belvedere apollo he is, damn it, and or something else. we

roman karmanov elena kiper yes, we have jazz musicians igor butman as our guests oleg akkuratov i wantedmusicians. this is a separate part of the usual concert, absolutely brilliant and no one will do it better than butman, unique unique talented, a unique, well-educated, well-mannered and very pleasant person who saw each other for the first time and saw each other in the distance where we saw each other. first time. i went to your club. it was the fifth year. i was 14 or 15 or 16 maybe i was walking , i didn’t even have time to understand anything, and then there was an international world jazz competition in rostov-on-don, the dialect was one of the contestants. naturally, as soon as he started playing, it was clear that this grand prix would immediately go to oleg akkuratov, nikolai yanovsky and i, a wonderful pianist, an outstanding composer, fattener, launched a men's tear, because we are because when you see such talent, you just, well, it touches you. you know, when he was our this athlete was a starter won at the olympic games, in my opinion in 2004. and when he overtook everyon

i'm roman karmanov, and i'm elena kiper, we continue the conversation with sergey lukyanenko social networks really guide us now and are we able and should we, for example, refuse them at least to some extent? i think that, of course, it is necessary to distance oneself, because there is such a cumulative effect of accumulation of surrounding opinions a person enters the network. at he has some views. he involuntarily finds like-minded people. those begin to support these views and the person very quickly becomes radicalized. here he is of a moderate position on some issue. it quickly jumps to some completely extreme level, which is good, so, of course, you need to control yourself in the network to understand that it is a network. it also affects you now 615. 10 million people already visit the meta worlds and live there, well, there is good news, comrades, wait, wait, i will calm you down two days ago something about the fact that the meter of the universe losing popularity rapidly. uh, investors stop investing in them and so on. people refuse they no-no. i'm sure it's unlikely that these

we continue our creative industry podcast hosted by roman karmanov elena kipr and is a guest.e have people's artists edgard and askold zapashnye but you don't post your programs. you can't see them anywhere. tell me interesting, my brother and i can boast. my brother and i can boast that we are over 40 years old. we are folk artists. we enter all kinds of governments at the entrance, which means, uh committees, but we and our show have never been shown by any federal channel. we on television can cook, eat, box from bulls, run away from anything from anything, but dancing is brighter, apparently, than a circus. well, because there is, you know, a certain stereotype that, and the circus is, well, such an unformatted and non-rated art that is unlikely to be appreciated by the viewer of the television audience. although it was the first channel that proved this. the reverse anniversary of the centennial anniversary of rosgosstrakh was repeated three times already, because each time it was to the public many times more. although initially, while we persuaded few, who believed we h