performance was not in the repertoire, but now in the year of the 180th anniversary of the birth of the roman korsykoves. at the performance they will dress in the costumes of boyars and residents. underwater kingdom, sadko’s image will remain almost the same, jeans and sweater. dmitry chernyakov, preserving the scale of the score of the roman korsakov and the magical elements of classical fairy-tale operas, makes the heroes of the performances of modern people, with their fears, doubts, problems, rehearsals are not directed from the audience, immediately on stage corrects the artists and corrects the mise-en-scène. here, i opened up directly, i trusted, even when i was rehearsing, i said, i will trust 100%, 200%, whatever. with the feeling that you can, that you can’t, your ambitions, imperfections, hopes, passions, loss and so on and so on, they are , in general, always, and of course, our heroes, they are trying, going through this in the plot, in this fairy tale, they find something inside themselves that was previously inaccessible to them. dmitry chernyakov, performing in the production not only