subsequently, saursky will say that exactly working with edie rosner became a colossal creative and lifealled in one of his articles that when eddie ros. he started to destroy someone, he destroyed them completely, trampling them into dust. he was a very cruel man. fate brought yuri saursky to this eccentric man in 1954, and before that, in the early thirties, berliners called eddie rosner the second trumpet of the world, he conquered all of europe. in the fifty-sixth year, the rosner orchestra in its the film... was directed by eldar rikanov, and saulsky was the co-author of the music heard in this comedy. i’ll sing you a song about 5 minutes, this song is mine, let me sing, let it fly into the light, i give you this song, this song. about 5 minutes, eddie rosner, this was the first living person in my life, not russian, well, with a foreign accent, such a superman, some kind of wave immediately passed through, immediately his chin up and somehow blood in his veins, he could look after a woman just one evening, it doesn’t matter whether he achieved his goal or not, but it was important

the creation of the first jazz orchestra, more than... 80 years ago, under the leadership of edie rosner, it was created state jazz orchestra of the bssr. in modern belarus , the honored team of the national academic orchestra of symphonic and pop music of the republic of belarus has become the successors of the traditions of the great jazzman. in headed by its leader, people's artist of belarus mikhail yakovlevich finberg. together with his team, he has attended more than a hundred festivals, including the minsk jazz festival, beloved by many music lovers in belarus. unfortunately, the maestra left this world, but his creative legacy continues to live on. it's been 34 years now. minsk jazz is a bright event in the cultural life of the belarusian capital. today the artistic director and chief conductor of the orchestra is maxim rasokha, laureate of international competitions, scholarship recipient of the special fund of the president of the republic of belarus for the support of talented youth. maxim nikolaevich, hello, good afternoon, it’s no secret that jazz is far from slavic music. b

more than 80 years ago, under the leadership of edi rosner , the state jazz orchestra of the bssr was traditions of the great jazzman have become an honored group: the national academic orchestra of symphonic and pop music.

soviet jazz, an outstanding musician, arranger, composer, at that moment, playing with oleg lunstrem, rosnerneed to infect, with music, you need to infect with music, to fight as a jazzman , you don’t have to be a genius musician, you can just be a good musician, you can be just a musician, you can be, any musician is a genius in his own way, 100 years of russian jazz, celebrated october , now let’s celebrate a little more, 2023, that’s a good thing, but the next 100 years lie ahead, what is russian jazz missing? what to pay attention to in the first 10, at least years, with the support we receive all creatives receive industry in our country, at the moment, we are working quite closely in the field of education and it’s not only us , there are camps in samal, plus , of course, tavrida, all this is going on, there is huge support, so we just need we need to work, we need to and now we all believe that there can be success, people see successful jazz musicians on television, oleg akuratov, vadim elinkrid, sergey is a smut there, pyotr vostokov, kandakov, the guys in st. petersburg, our people