half, you still remember a lot, you know what, how came to your birthday, akudzhava, vysotsky , rostotsky what are we talking about, millions of people love you, plus one more man, it’s me, thank you, thank you, and you invited them all, the above men, or so they no, it was just zhanu, and he looked at the picture on the seven winds before, he i really liked mine, apparently svetlana, he was imbued with some kind of romantic , maybe some kind of feeling for me, and we talked with him for a whole year, he took me to all his concerts by the hand, what a talisman, i was silent, because that i was afraid in this society, where i... we almost would be on the same page, but i sang in vain, she didn’t care about the neutral zone, she was in paris, marcel marceau himself told her something, i left my factory, although in general he had no right, he sat down to dictionaries, out of fear, but what did she care about that, she was already in warsaw, we again speak different languages , but this is exactly for you, so the main question is what marcel marceau told you, and he took, and marcel marceau

in the leading role rostotsky saw his wife, actress nina menshikova.ilm studios, people's artist of the ussr, professor and master course at the institute of cinematography , sergei gerasimov, asked the director to pay attention to his student, larisa luzhina. larisa, born in leningrad, knew well what war was, having survived a terrible blockade with her mother, he was afraid that he could not find a common language with me, you know, with us, every director who loves his profession, he definitely needs a muse, and stanislav fell very much in love with all his heroes, but he always demanded mutual love for him, you know, which, unfortunately, not everyone could give him, here we have it also turned out that i couldn’t do it, i was in love with the cameraman, by the way, i can honestly say, but he himself, without understanding this, decided that... i just couldn’t, so he was right, that another actress should have played . sergei panovich looked and said: “stashchik, it’s your fault, it’s your fault, look, this is clay, raw clay, she’s only in her firs

of the soviet union, the war drama on the seven winds, directed by front-line soldier stanislav rostotskystory against the background. at that time, nina evgenievna was 35 years old. then the artistic director of the gurkov film studio, people's artist of the ussr, professor and course master at the institute of cinematography, sergei gerasimov, asked the director to pay attention to his student, larisa. in its premiere year, the film on the seven winds became leader of the soviet film distribution, every fourth resident of the country watched it. photos of larisa luzhina on the covers of soviet screen magazines, a worker, a soviet woman, were instantly sold out at all soyuz-print kiosks. at our photo shoot, larisa anatolyevna recalls with excitement the period when the film was presented in the competition program of the cannes international film festival. such is the life of a soviet student. ussr minister of culture ekaterina furtseva screamed and tore pages in her large kremlin office if rostovsky, who accidentally looked at karl vary, crossed me out, he came, ekaterina, says, why doe