and also a roy lichtenstein and his own two feet all of them stars of modern art. in the mud collection is valued at almost three billion dollars thousands of works most of which are stored at the geneva freeport. maybe the reason david no mud prefers to be discreet is because one of the paintings he owns is causing him problems with the law. the story started here in the paris archives in two thousand and eleven with this man james palmer. he is a canadian private detective who specializes in finding art looted from jews by the nazis. one day while rummaging in the paris archives he came across a file on a certain stetson or a jewish antiques dealer the man was dispossessed of all his assets during world war two. after the liberation of paris he found a plane to recuperate his patrimony. the documentation is contained in this box it was here in the paris archives that we found a document that referred to the quest of mr oscar stener for his stolen paint. the information that we found was that oscar stettner had been despoiled of a number of personal items carpet f

and also a roy lichtenstein and his own two feet all of them stars of modern art. in the mud collection is valued at almost three billion dollars thousands of works most of which are stored at the geneva freeport. maybe the reason david no mudd prefers to be discreet is because one of the paintings he owns is causing him problems with the law. the story started here in the paris archives in two thousand and eleven with this man james palmer. even as a canadian private detective who specializes in finding art looted from jews by the nazis. one day while rummaging in the paris archives he came across a file on a certain stetson or a jewish antiques dealer the man was dispossessed of all his assets during world war two. after the liberation of paris he found a plane to recuperate his patrimony. the documentation is contained in this box it was here in the paris archives that we found a document that referred to the quest of mr oscar stener for his stolen pate. the information that we found was that oscar stettner had been despoiled of a number of personal items carpet

roy lichtenstein rauschenberg. and many others. financed by petrol dollars from the sale of oil its total cost is still a mystery but the criticism that iran spent too much money on art continues to annoy cameron dba to this day how do you do you can mine cow that. how much transactions were completely above board. and then i received a letter if you john someone recently claimed that they had all the purchase receipts at that moment and. someone else said the museum had lost them all. but i still have them the stuff i can get them from the library. but. it is the idea here is the list of everything i bought everything is listed here. every work purchased while i was director of the museum is recorded here in the aftermath. cameron diva mainly bought works by contemporary american artists at prices that are absurdly low by today's standards . see. the total amount spent on art purchases while he was the museum director was about three and a half million dollars. this is three earlier or so. and is said right to be done and well it