in medical tech firm is housed in the royal college of art's accelerator.mart assisted clothing that so far, apparently, has seen a 30—50% boost in recovered function and the secret is in the sleeve. this device here directs a force to a specific muscle in the wearer's arm so that over time it can retrain the brain so that eventually a wearer can regain control of their limb. it is to be worn for several hours a day as current data suggests the longer the garment keeps tapping away, the greater the results. do you feel anything? no sensation? i feel a slight sort of pulsing but no real response in my hand yet. the gains are not necessarily seen immediately. and that is really important to know. so what we're doing is we're pairing a companion app with the technology so that you can see what is happening and trying to make it as transparent as possible. because if you do not see any gains to begin with you might give up. a huge problem with medical devices for rehabilitation is getting people to want to use them and in the case of wearables, like the thing t

he's participating in research by knitregen, a medical tech firm housed in the royal college of artst assistive clothing that so far apparently has seen a 30 to 50% boost in recovered function. and the secret is in the sleeve. this device here directs a force to a specific muscle in the wearer's arm so that over time it can retrain the brain so that eventually a wearer can regain control of their limb. it's to be worn for several hours per day, as current data suggests the longer the garment keeps tapping away, the greater the results. can you feel anything? can't feel anything. no sensation. i do feel a slight sort of pulsing, but... but no real response in my hand yet. the gains aren't necessarily seen immediately, and that's really important to note. so what we're doing is we're pairing a companion app with the technology so you can see what's happening to try and make it as transparent as possible. because if you don't see any gains to begin with, you might give up. a huge problem with medical devices for rehabilitation is getting people to want to use them, and in the case of we

ridley and tony shot the film guy and the bicycle in the summer of 1959 as a thesis for the royal college of art the brothers, scott, may be they are quite right. ridley scotch will turn out to be a very famous director. however, tone too. in the middle of the 19th century, the french sculptor enhelm, the pleasure of these brothers of the people's tribunes, exhibited a composition in the musée d'orsay brothers. oh, roads for 600. such a route, the longest in the world of continuous ones, was opened the year before last in qatar by almost 33 km of asphalt and not a single intersection with highways. could it be a race track no? this is the longest bike path in the world. oh, the road is over 300. having set out on the road in december 1730, this young man covered 1095 miles in three weeks. mikhail vasilievich lomonosov is true, though he went more into abuse than silk anniversary 2022 for 600 6.900 you have five chairs of mary 29 800 dmitry to whom? well, once it's worked out such a tradition maria thank you topic, buttons 300 or one and a half similar buttons are installed on the river embankmen

art? well, it wasn't at the time. it wasn't 0k. and that's really how i became one of the first people to do pop art, because... what happened at the royal collegeirst year you had to spend in the life room, it was compulsory. you had to draw from the figure or paint from the figure. then you could do what you wanted. so suddenly, i've already been an art student for a year, a painting student. so suddenly, the world was before me. and what i did was i took my life as my subject matter. so it was autobiographical. so it included a big interest in popular music, sergeant pepper's lonely hearts club, 1967 — perhaps the most iconic record album cover of all time. it was an extraordinary piece, because it involved you, your then wife jan, working actually very closely with the fab four, with the beatles themselves, to get this image right. yeah. how difficult was it to get it right? along the way, there were problems and there were difficulties, but it wasn't difficult to make it. but we were inventing what we were doing. i mean, people often think it's a collage, a small collage, and it was life—sized and built in the studio. so all the little head

art? well, it wasn't at the time, it wasn't 0k. and that's really how i became one of the first people to do pop art. because what happened at the royal colleger you had to spend in the life room. it was compulsory. you had to draw from the figure or paint from the figure. then you could do what you wanted. so suddenly, i've already said to you that i've been an art student for a year, a painting student. so, suddenly, the world was before me. and what i did was i took my life as my subject matter. so, it was autobiographical. so, it included a big interest in popular music — jazz, particularly — wrestling, and all these other things i did. here's a quote from you which gets to that point. you said, "i wanted to make an art that was the visual equivalent of pop music." yeah. but could you imagine that your art would ever reach people in the way that the pop music of the �*60s reached people? well, it didn't work. i mean, that failed, but out of it came something else. one of the ironies of you saying you wanted to make the visual equivalent of pop music was that you then allied yourself very directly with pop music to reach a huge new audienc