the production is directed by the artistic director of the rsc who is also your partner and the man youry in the course of the book. i was struck by how much input you had into things like the casting, the design, the cuts that were made to the text, and i wondered, is that normal or do you have special privileges because you are in a relationship with the director? i think any leading actor would be invited by the director to comment on some of the things which are going into making up the production. especially in the way the design... because, you know, if you were a director you wouldn't want your leading actor to discover on the first day of rehearsals that they are playing it in modern dress when they thought they might be in period costume. in terms of casting, i didn't have much to do with that at all, although he might say to me, what do you think of so and so for a certain part? i would probably say, great, let's try and get that person. you reflect on parallels with your life and the life of lear, the first issue was your faltering health, your bad shoulder. how useful were t