. >> rose: you were brutal or -- >> i wasn't brutal but i was rtainly leonard like in asking rhe truth. relentlessly, and i think if you are working on a piece like strenburg not to just steam willful and give it a sense of real purpose and for it to be very funny. >> rose: i am very much interested in the pursuit of truth and how people go about that. >> i don't. i just live in awe of people who write from nothing. >> rose: because you love the english language so much. >> i do. but, you know, you either have that or hven' whamy job is to interpret and be a channel for a writer, so i will alter my instrument in whatever way i should, in terms of how my imagination meets it and you know when there is a connection, when images start to jump off the page that's when you start to say the word yes where i can't say no now because there are images and i just have to do that. so it is not often, not even conscious, but i think you can -- you can tell when truthis happening in the theatre,hen you feel real concentration between actors and it transmits to the audience and the audience becomes